Advanced SearchSearch Tips
Study on Convention Transformation Appeared in Bong Joon-ho's Movie -Mainly with the movie "mother"-
facebook(new window)  Pirnt(new window) E-mail(new window) Excel Download
 Title & Authors
Study on Convention Transformation Appeared in Bong Joon-ho's Movie -Mainly with the movie "mother"-
Kim, Seong-Hoon;
  PDF(new window)
If we look into genre movie, we can see that almost similar forms are repeated in a movie. Such similar elements are largely divided into three units from a mass of story to a very small camera angle. Those can be explained as Formula, Convention, and Iconography. Among those three, convention means custom and it is a structure or an incident in which one story can be divided into second one. Convention is an incident visualized in individual genre, and a movie director tunes audiences through the incident. The director leads a familiar story but all of a sudden, he transforms the familiar scene to a new story. As a product established from the beginning of movie history, movie convention helps communication between audiences and a director. Audiences familiarize themselves with movie convention through repeated activities of watching movies, and the director utilizes it to provide audiences with familiarity. Director Bong Joon-ho not only tunes audiences through traditional convention but also creates a new art work through transformation of convention. A study is conducted on how he used traditional convention and transformation to get a new idea and to engage in his work through his work .
Genre Movie;Convention;Transformation;Mother;Character;Point of View;
 Cited by
유은아, 황인호, 이유선, 주희엽, "3D 입체영화의 만족에 관한 탐색적 연구," 한국콘텐츠학회논문지, 제11권, 제3호, p.168, 2011.

Keith Cohen, Film and Fiction, London, Yale University Press, 1979.

정재형지음, 정재형교수의 영화강의, 영화언어, 1995.

정재형지음, 정재형교수의 영화강의, 영화언어, p144, 1995.

정재형지음, 정재형교수의 영화강의, 영화언어, p135, 1995.

정재형지음, 정재형교수의 영화강의, 영화언어, p137, 1995.

데이비드 보드웰, 크리스틴 톰슨지음/주진숙, 이용관 옮김, 영화예술, 이론과 실천, 1996.

김양지, 한국 공포영화 관습의 반복과 변화: 1960-80년대와 1990년대 비교분석, 이화여자대학교, 석사논문, 2000.

이소윤, 한국 공포 영화 장르 관습의 혼합과 변화, 이화여자대학교, 석사논문, 2005.

이수현, 1950년대 후반 한국 코미디 영화문학의 관습체계 연구, 고려대학교, 석사논문, 2009.

권선영, 경찰영화 서사관습의 형성과 그 사회적 함의: 90년대 이후 한국 경찰영화를 중심으로, 이화여자대학교, 석사논문, 2008.

정우숙, 영화적 약화 양상으로 본<시>, 현대문학이론연구, 제46집, pp.221-247, 2011.

토마스 소벅, 비비안C. 소벅지음 / 주창규 외 옮김, 영화란 무엇인가, 거름, pp.206-217요약, 1998.

최상식, 영상으로 말하기, 시각과언어, 2001.

P.M리스터/금동호 김성민공역, 비주얼 커뮤니케이션, 나남출판, 1996.

제공 : CJ엔터테인먼트(주) /(주)바른손 "마더" DVD.