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On Tactile Sense and Depth in Sapce - focused on Herzog & De Meuron's Architecture -
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 Title & Authors
On Tactile Sense and Depth in Sapce - focused on Herzog & De Meuron's Architecture -
Lim, Sung-Hun;
Contradiction plays a very important role in the Herzog & De Meuron's architecture. They have been well known through the tactile sense of the material and the surface. But the material is not clearly conveyed a sense. Herzog & De Meuron 's architectural features is that sense has somewhere distortion. Their architectures are more special because it will appear distorted, rather than clearly shown in the feel of the surface. Rafael Moneo has regarded Herzog & De Meuron's architectures' characteristics as the tectonic. He has insisted the characteristics of the architecture which they made is not use of the material surface, use of the material tectonic. In particular, Moneo has pointed out that they replace the role of architectural form as the characteristics of the material. And he is understand their architecture's importance lay on the exclusion of any image in architecture to be able to see architecture itself. But Moneo's perspective is focused only on the initial work of them. So it is need to be extended from the tectonic to the superposition of surface and depth. In other words, tectonic is kind of result of the superposition of surface and depth. This paper insist that the superposition of these contradictions of material senses could be switched to the tectonic in architecture, and the expression of the sensation is based on the transition of tactile to visual senses. Through this, the paper could more clearly reveal their architectures' characteristics.
Herzog & De Meuron;surface;depth;chair;Rafael Moneo;Maurice Merleau-Ponty;
 Cited by
현대공간에 나타나는 역공간(逆空間)의 특성연구 - 헤르조그 & 드 뮤론의 작품을 중심으로 -,박화영;원유진;이찬;

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