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Soundscapes of Soswaewon Represented in Kim In-Hu's 48 Poems
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  • Journal title : Journal of architectural history
  • Volume 24, Issue 6,  2015, pp.21-33
  • Publisher : Korean Association of Architectural History
  • DOI : 10.7738/JAH.2015.24.6.021
 Title & Authors
Soundscapes of Soswaewon Represented in Kim In-Hu's 48 Poems
Han, Myung-Ho; Cheon, Deuk-Youm;
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 Abstract
This study aims to rediscover the meaning and value of Soswaewon construction represented in Kim In-Hu's 48 poems on the basis of the concept and idea of soundscape. It classified the landscape resources through the various emotional elements such as the sense of sight, hearing, smell, touch, taste, and warmth described in the 48 poems of Soswaewon, and also interpreted the meaning and value of Soswaewon construction. Appreciating various sounds of Soswaewon, Kim In-Hu understood a sound as an important element of the landscape. Also, he abundantly wrote down the interesting changes of Soswaewon which vary depending on time or seasons. The 48 poems contain the scent and feel of Soswaewon as well as the soundscapes which can be heard with ears. A variety of sounds heard in Soswaewon are the whole senses which are combined with the chill of Soswaewon, the fragrance of trees and the mystery of the mountain, etc, and they mean the wider world much more than the value of physical sounds. Soundscapes of Soswaewon are becoming an emotional space which intactly conveys not only the musical inspiration but also the scent of life to us.
 Keywords
Soswaewon;Kim In-Hu;48 Poems;Soundscape;Five Senses;Sensitivity;
 Language
Korean
 Cited by
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