JOURNAL BROWSE
Search
Advanced SearchSearch Tips
A Study on the meaning of in-between space in Sou Fujimoto and Bernard Tschumi's Architecture
facebook(new window)  Pirnt(new window) E-mail(new window) Excel Download
 Title & Authors
A Study on the meaning of in-between space in Sou Fujimoto and Bernard Tschumi's Architecture
Park, Hohyun;
  PDF(new window)
 Abstract
Aldo Van Eyck and Herman Hertzberger explained 'In-between space' as an intermediate space between opposite elements such as whole and parts, inside and outside, open and close, central and decentral. From this idea, the meaning of 'in-between space' has developed and applied to works of Bernard Tschumi and Sou Fujimoto. In this study, the meaning of 'in-between space' was compared and analyzed based on two architects' works to reveal the design approach in terms of 'in-between space' Final Wooden House, N House, and Serpentine Gallery Pavilion among Sou Fujimoto's work were selected and Le Fresnoy, Lerner Student Center, and Acropolis Museum among Bernard Tschumi's work were selected to analyze. To understand their design approach, their works were compared and analyzed in architectural attitude, tools, construction style and the approach, concept, theme, relation, direction of in-between space. As a result, Sou Fujimoto uses 'in-between space' as a nebulous approach as intermediate space between opposite elements. For Bernard Tschumi, 'in-between space' is also an intermediate space to emphasize and make a tension between opposite elements. It is a method of solving the contradiction condition between old city environment and new architecture.
 Keywords
In between Space;Intermediate Space;Nebulous;Mediation;Sou Fujimoto;Bernard Tschumi;
 Language
Korean
 Cited by
 References
1.
소우후지모토, 건축이 태어나는 순간, 디자인하우스, 2012

2.
소우후지모토, 원시적 미래(Primitive Future), INAX, 2008

3.
Manuel Gausa, Vincent Guallart, Willy Muller, Federico Soriano, Fernando Porras, Jose Morales, the Metapolis dictionary of advanced archiyecture, ACTAR, 2003

4.
Tshumi, Bernard, Le Fresnoy Architecture In/Between, the Monacelli Press, 1999

5.
Tshumi, Bernard, Architecture In/Out Motion, Nai Publishers, 1997

6.
Tshumi, Bernard, Architecture and Disjuction, The MIT Press, 1996

7.
헤르만 헤르츠버거, 헤르만 헤르츠버거의 건축수업, 효형출판, 2009

8.
김명화, 현대건축에서 경계공간을 통한 내부의 이질화에 관한 연구, 서울대 석사논문, 2008

9.
오광석, 안웅희, 전영훈, 알도 반 아이크 건축에서 "사이 영역"개념에 관한 연구, 한국실내디자인학회논문집 v.17 n1, 2008

10.
이진화, 김성욱, 전유창, 소우 후지모토(Sou Fujimoto)의 작품에 나타난 경계의 재구성에 관한 연구, 대한건축학회 춘계학술발표대회 논문집 제33권 제1호, 2013

11.
장용순, 소우 후지모토 건축의 프랙탈적 특성에 관한 연구, 대한건축학회 논문집 제30권 제2호, 2014

12.
권경민, 김종진, 렘 쿨하스와 카즈요 세지마 건축에서 나타나는 프로그램의 조직과 공간구성 방법의 비교분석, 한국실내디자인학회 논문집 v16 n6, 2007

13.
송정화, 임채진, 세즈마 카즈요의 '21세기 미술관'에 표현된 공간형식과 프로그램, 한국문화공간건축학회논문집 v.13, 2005

14.
http://www.tschumi.com/

15.
http://www.sou-fujimoto.net/