Visual Contents Study of Historic Re-create about Memory of China 6th Generation Director

중국 6세대 감독의 기억에 관한 역사적 재현 영상콘텐츠 연구

  • 한달호 (성균관대학교 동양철학과)
  • Published : 2010.02.28


This dissertation is considered a historic generation that Chinese film $6^{th}$ director remembers through their life. Also it is figured out historic anguish and hurt how it was remembered and appeared in film. They have made actual films through their efforts which are different from the conventional generation. In addition, between memory and oblivion the time's signification in the history is showed how what way can be represented. It was presented the time's anguish through memory's metaphor in Chinese film $6^{th}$ works. Also, it was shown the existence's reality from dream was losing as memory was hiding between desire and despair. Additionally, the self of daily was expressed to unconcernedly accept reality, and its against the unchangeable world's eye and memory. The $6^{th}'s$ films' desire was expressed passive appearance to accept reality with losing dream in these three things; cannot be reality in the process to figure out own natural character, and appearance to keep traditional character, finally gradually changing reality. When $6^{th}$ directors analysis the history as memory, social repression follows family's repression, family's repression brings personal repression, and then repression changes to desire, finally the life as a reaction could be maintained. In conclusion, personal desire was covered for fantasy, and the overcoming figure was represented. Moreover, Chinese face that $6^{th}$ directors have memorized was presented through these sentiments.


  1. Jan Assmann, "Das Kulturelle Gedachtnis: Schrift, Erinnerung und politische Identitat in fruhen Hochkulturen," Munchen, 1992.
  2. Aleida Assmann, "Erinnerungsraume: Formen und Wandlungen des kulturellen Gedachtnisses," Munchen, 1999.
  3. 금기봉, "영화를 통한 역사교육: 국사교육을 넘어서", 역사교육연구회, 역사교육 제97집, p.252, 2006.
  4. 박진, "역사추리소설의 장르적 성격과 한국적인 특수성", 한국현대소설학회, 현대소설연구, 제32권, p.337, 2006
  5. 장동천, "영화와 현대중국", 고려대학교출판부, p.274, 2008.
  6. 임대근, "중국영화 이야기", 살림, p.87, 2004.
  7. 안상혁, 한성구, "중국 6세대 영화, 삶의 본질을 말하다", 성균관대학교 출판부, p.19, 2008.
  8. 堀川哲男 편, 하세봉 역, "아시아 歷史와 文化 5", 신서원, pp.303-307, 2006.
  9. 전진성, "역사가 기억을 말하다", 휴머니스트, p.150, 2005.
  10. 장동천, "영화와 현대중국", 고려대학교출판부, p,280, 2008.
  11. 안상혁, 한성구, “중국 6세대 영화, 삶의 본질을 말하다”, 성균관대학교출판부, p.86, 2008.
  12. 다우베 드라이스마 저, 정준형 역, "기억의 메타포", 에코리브르, pp.41-337, 2006.
  13. 김덕균, "先秦儒家의 慾望理論", 동양철학 제6집, 한국동양철학회, pp.67-68, 1995.
  14. 양둥핑 저, 장영권 역, "중국의 두 얼굴", 펜타그램, pp.249-251, 2008.
  15. 따이진화 저, 차미경 역, "숨겨진 서사", 숙명여자대학교 출판부, pp.219-220, 2006.