DOI QR코드

DOI QR Code

Use of Long Take in The Film <The Graduate> : Focused on Mise-en-Scène

영화 <졸업>에 나타난 롱테이크의 이용 : 미장센을 중심으로

  • 윤수인 (호서대학교 영상미디어학과)
  • Received : 2012.03.05
  • Accepted : 2012.04.20
  • Published : 2012.04.28

Abstract

The research was started out of curiosity for what made 's fast and trilling pace possible although it is an old movie. The center of what made it possible was its use of the Long Take - Long Take was used in all of the scenes and in some cases only long take was used. What is interesting is the film maker's use of various cinematic techniques to prevent the scene from being too slow and keep the audience immersed in the characters. In one shot, acting in addition to Mise-en-Sc$\grave{e}$ne were used to provide psychological immersion of character and scene. The use of Long Take, with the exception of some intentional scenes, was difficult to notice without conscience observation. All the components that make up Long Take. camera walking and lighting as well as actor's dialog and performance and scene movement all beautifully came together. The Long Take is generally replaced by many different sort shots. However, Mike Nichols clearly demonstrates the benefit of Long Take. In the movie, the general aesthetics from the use of Long Take is slightly altered for a different purpose. The specific methods and effects used in the application of Long Take is the subject of this study.

Keywords

Long Take;The Graduate;Mike Nichols;Mise-en-Sc$\grave{e}$ne

Acknowledgement

Supported by : 호서대학교

References

  1. 앙드레 바쟁, 영화란 무엇인가, 시각과 언어, pp.88-89, 2001.
  2. 박철웅, "알폰소 쿠아론의 롱테이크 미학", 영화연구, p.165, 2010.
  3. 신강호, 명장면으로 영화읽기, 커뮤니케이션북스, 2005.
  4. 전양준, "압운의 장면들, 그리고 롱테이크의 미학적 모험", 영화연구, 1989.
  5. 루이스자네티, 영화의 이해, 경문사, pp.18-22, 2008.
  6. 데이비드보드웰, 이론과실천, 필름아트, p.277, 1993.
  7. 조인숙, "역사의 영화적 복원<이재수의 난> 재해석", 영화연구, 1999.
  8. 조셉보그스, 영화보기와영화읽기, 제3문학사, p.107, 1991.
  9. 데이비드보드웰, 이론과실천, 필름아트, p.217, 1993.
  10. 데이비드보드웰, 이론과실천, 필름아트, p.291, 1993.
  11. 데이비드보드웰, 이론과실천, 필름아트, pp.214-215, 1993.
  12. B. Henderson, "The Long Take', A Critique of Film Theory", New York, E.P Dupont, p.49, 1980.
  13. 스티븐디캐츠, 영화연출론, 시공사, pp.244-246, 1998.
  14. 데이비드보드웰, 이론과실천, 필름아트, p.219, 1993.
  15. 박철웅, "알폰소 쿠아론의 롱테이크 미학", 영화연구, p.167, 2010.
  16. 이용관, "임권택의 롱테이크에 나타난 표현적 기능", 영화연구, 1995
  17. 영화작가주의의 역사와 실천, 집문당, 1997.
  18. 서인숙, "임권택 감독의 영화스타일 연구", 드라마연구, 제34호, 2011.
  19. Roger Ebert and Gene Siskel, "The Future of The Movies," Kansas City:Andrews and McMeel, p.73, 1991.
  20. Mike Nichols, The Graduate, 1967.