DOI QR코드

DOI QR Code

The Expressional Characteristics and Meanings of Indeterminacy in Fashion Illustrations

패션 일러스트레이션에 표현된 불확정성의 특성과 의미

Kim, Soon Ja
김순자

  • Received : 2015.04.06
  • Accepted : 2015.07.13
  • Published : 2015.10.31

Abstract

Indeterminacy maintains that the simultaneous measurement of object location and speed is theoretically impossible. This study present indeterminacy as a theoretic tool to interpret a variety of expression characteristics that seem disorderly in recent fashion illustrations; in addition, it analyzes the characteristics and meaning of indeterminacy as expressed in fashion illustrations. This study reviews concepts and related theories on indeterminacy to examine characteristics of indeterminacy expressed in the arts and fashion; subsequently, indeterminacy characteristics found in fashion illustrations are analyzed. In expressing the fashion figure, indeterminacy finds expression in a distorted figure transformations that include a hybridized combination of heterogeneous forms that dismantle and reconstruct the human body. The hybridized body of combined machines, animals and plants indicates an indeterminate body endlessly transforming itself. Indeterminate space expression finds expression in space expression by projection with the overlapping and juxtaposition of irrelevant constituent elements as well as a space expression from the insertion of unexpected images. An unclarified inconclusive open space provides space with fluidity, causes space expansion and conveys inconclusive meaning. Indeterminate expressions found in fashion illustrations reveal the ambiguity and complexity of a post-modern society with polysemous aesthetic values and the expanded visual concepts of fashion illustrations.

Keywords

indeterminacy;fashion illustration;figure transformation;indeterminate space

References

  1. Park, S. H., & You, Y. S. (2003). The modern perspective in fashion illustration. Journal of the Korean Society of Costume, 53(7), 57-68.
  2. Park, S. Y. (1999). A study on anamorphosis appeared in visual expression. Unpublished master's thesis, Hong-ik University, Seoul.
  3. Park, W. H. (2007). A study on the viewpoint of indeterminacy as a motive and metamorphosis as the attitude to enable new arrangements in typography. Unpublished master's thesis, Hong-ik University, Seoul.
  4. Riemschneider, B., & Grosenick, U. (2000). Art at the turn of the millennium. Cologne: Taschen.
  5. 'Robert Gligorov'. (2009, December 27). google.com. Retrieved September 18, 2015, from http://prologue.blog.naver.com/PostView.nhn?blogId=homine85&logNo=150077217648
  6. Ruhrberg, K., Schneckenburger, M., Fricke, C., & Honnef, K. (2000). Art of the 20th century. Cologne: Taschen.
  7. Shlain, L. (1995). Art & physics: parallel visions in space, time and light (J. Y. Kim, Trans.) Seoul: Kukje Publishing. Co. (Original work published 1989)
  8. Shiner, L. (2003). Invention of art: a cultural history. Chicago: University of Chicago.
  9. Sung, K. S. (2004). A study on the characteristics of fashion expression after the 1990s. Journal of the Korean Society of Costume, 54(1), 109-123.
  10. Victionary. (2007a). Fashion unfolding. Hong Kong: Viction workshop. Ltd.
  11. Victionary. (2007b). Fashion wonderland. Hong Kong: Viction workshop. Ltd.
  12. Walton, R., & Cogliantry, J. (2008). The big book of illustration. New York: Collins design.
  13. Morris, B. (2007). Ilustracion de moda. Barcelona: Art Blume.
  14. Oh, J. S. (1996). A study on the indeterminable architecture in aftermodernism. Unpublished master's thesis, Kookmin University, Seoul.
  15. Kim, E. Y. (1999). A study on the indeterminacy of the distinctive expression of contemporary architecture. Unpublished master's thesis, Yeungnam University, Daegu.
  16. Kim, S. G. (1988). Understanding of post structuralism. Seoul: Minumsa.
  17. Kim, S. J. (2011). Cyborg image expressed in fashion illustration. Fashion & Textile Research Journal, 13(6), 866-876. https://doi.org/10.5805/KSCI.2011.13.6.866
  18. Kim, U. D. (1994). Post-modernism and post structuralism. Seoul: Hyunamsa.
  19. Kim, W. B. (2000). A study on the design of landscape architecture from a chaos theory's. Unpublished mater's thesis, Hong-ik University, Seoul.
  20. Kim, W. G. (1991). A study on avant-garde theory and scientific paradigm in contemporary architecture design. Unpublished doctoral dissertation, Hong-ik University, Seoul.
  21. Kim, W. G., & Yoon, D. K. (1991). A study on the change of scientific paradigm in contemporary architecture(II). Journal of the Architectural Institute of Korea, 7(1), 101-107.
  22. Kim, Y. U., & Kim, Y. K. (2000). Fractal and chaos. Seoul: Woosung Publication.
  23. Klantan, B., Ehmann, S., & Meyer, B. (2004). Wonderland. Berlin: die Gestalten Verlag.
  24. 'Lawick et Muller'. (2012, June 2). eklablog.com. Retrieved January 3, 2014, from http://hdaterminale.eklablog.fr/actualisation-lawick-etmuller-a46657289
  25. Lee, J. H. (1998). A study on the indeterminacy expressed in the contemporary dress. Unpublished doctoral dissertation, Sook Myung Women's University, Seoul.
  26. Lee, J. H. (2009). A study on the multi-space method in fashion illustration. Journal of the Korean Society of Clothing and Textiles, 33(4), 644-654. https://doi.org/10.5850/JKSCT.2009.33.4.644
  27. Lee, J. H. (2011). Body modification in fashion illustrations based on the theory of 'Corps sans Organes' of Deleuze. Journal of the Korean Society of Costume, 61(9), 27-38.
  28. Lee, S. S. (2004). Expression of space through optical illusion. Unpublished master's thesis, Hong-ik University, Seoul.
  29. Lee, S. S. (2005a). Study on the image-virtualization in D. Salle and G. Richter. Unpublished doctoral dissertation, Hong-ik University, Seoul.
  30. Lee, T. H. (2005b). A study on the characteristics of hybrid expressions in depasement. Unpublished master's thesis, Kookmin University, Seoul.
  31. Lee, Y. W. (2006). A study on the indeterminate characteristics of landscape architecture. Unpublished master's thesis, Konkuk University, Seoul.
  32. Levy, P. (2002). 디지털 시대의 가상현실 [Qu'est-ce que le virtual] (J. Y. Jean, Trans.). Seoul: Kungree Press. (Original work published 1995)
  33. Lucie-Smith, E. (1995). Dictionary of art terms. New York: Thames & Hudson. Ltd.
  34. Moon, C. (2003). A study on application of fractal structure on graphic design. Journal of Korean Society of Design Science, 17(1), 211-220.
  35. Arnheim, R. (1996). Art and visual perception (C. I. Kim, Trans.). Seoul: Mijinsa. (Original work published 1974)
  36. An, E. J. (1998). David Sall's deconstructive strategy. Unpublished master's thesis, Sook Myung Women's University, Seoul.
  37. Arnheim, R. (1984). Toward a psychology of art (J. Y. Kim, Trans.). Seoul: Ewha Womans University Press. (Original work published 1966)
  38. Aum, K. H. (2004). A study of development in visual concept of the late modern paintings. Unpublished doctoral dissertation, Hong-ik University, Seoul.
  39. Bae, M. G. (2009). Artist body. Seoul: Koreana museum.
  40. Borrelli, L. (2004). Fashion illustration next. London: Thames & Hudson. Ltd.
  41. Borrelli, L. (2008). Fashion illustration by fashion designer. London: Thames & Hudson. Ltd.
  42. Bradley, F. (2003). Surrealism (G. M. Kim, Trans.). Paju: Youlhwadang Publishing. Co. (Original work published 1997)
  43. Choi, J. H. (2009). The expression of fantastic body in fashion illustration. Fashion & Textile Research Journal, 11(6), 867-877.
  44. Dawber, M. (2007). Big book of fashion illustration. Singapore: Batsford.
  45. Delicatessen. (2005). Fashionize: The art of fashion illustration. Modena: Happy Books.
  46. Derrida, J. (1978). Writing and difference: force and signification. Chicago: University of Chicago.
  47. Deitch, J. (1992). Post human. Lausanne: FAE Musee d'art Contemporain.
  48. Donga Korean dictionary 2nd ed. (1995). Seoul: Donga Publishing. Co.
  49. Fuchs, R. H. (1992). David Salle drawing. New York: Gagosian Gallery.
  50. Glenville, T. (2013). New icons of fashion illustration. London: Laurence King Publishing Ltd.
  51. Han, D. G. (2006). A study on the planning of art community complex based on the expressional characteristics of indeterminacy. Unpublished master's thesis, Hong-ik University, Seoul.
  52. Hidalgo, M. R. (2007). Young fashion designer. Hong Kong: Taschen.
  53. Hoenderken, W. (2013). Mode illustration. Germany: Arnoldsche art Publisher.
  54. Hong, S. U. (2007). Art and science. Seoul: Ehaksa.
  55. Hwang, H. J., & Kim, M. J. (2012). A semantic analysis of the indeterminacy in contemporary fashion. Journal of the Korean Society of Costume, 62(5), 1-15. doi:10.7233/jksc.2012.62.5.001 https://doi.org/10.7233/jksc.2012.62.5.001
  56. Kang, E. J. (2011). Study on characteristics of space design in digital information age. Unpublished master's thesis, Yonsei University, Seoul.
  57. Kim, D. Y. (2006). A study on de-centered form of visual configuration in contemporary paintings. Unpublished doctoral dissertation, Hong-ik University, Seoul.
  58. Wiedemann, J. (2008). Illustration now. Hong Kong: Taschen.

Acknowledgement

Supported by : 상명대학교