Abstract

, 2007 firm by Joe Wright, deals with tragic love of Cecilia and Robbie. While the 2001 novel of the same name focuses on Briony narrative the movie is seen through romantic relationship of two lovers. However, Briony's narrative in the movie helps to accent the two's love story. The director's emphasis on the love story is unfortunately from Briony tragic story. The continuous build up of misunderstanding and irreconcilable regrets begins to materialize and explodes in the middle of the film. The director manages to use just one day and uses the same location to illustrate the background of the characters as well as build up of the plot's misunderstanding. The study will focus on the beginning of the film that enabled the beautiful love story through effect and symbolic visual expression and techniques- especially the use of mise-en-scene, camera movement, framing, and lighting and how it emphasis and use of specific color and sound.

Keywords

Atonement;Joe Wright;Mise-en-scene;Camera Movement;Framing

File

Download PDF

References

1. 이채원, "자의식적 소설에서 멜로드라마로의 변형," 문학과영상, 제15권, 제3호, pp.609-610, 2014.
2. 최병근, "미장센 요소들의 창의적 기능에 대한 연구," 영화연구, 제29권, p.348, 2006.
3. 우정민, "한방신경정신의학으로 본 소설의 정화와 치유의 기능:이언 매큐언의 속죄 (Atonement) 에 대한 연구," 영미문화, 제8권, 제2호, p.153, 2008.
4. David Murray, "Arabella in Stanley Sadie, (Ed.)," The New Grove Dictionary of Opera, Vol.One, pp.157-160, 1998.
5. 김정순, "정신분석학적 윤리로 속죄 읽기:영국성이라는 환상 가로지르기," 현대영미소설, 제19권, 제3호, p.32, 2012.
6. 김정희, "영화 <어톤먼트>에 나타난 브라이어니의 문제와 속죄의 의미," 영화와문학치료, pp.35-36, 2011.