- Volume 17 Issue 2
DOI QR Code
Research on Culture Symbol Element about China Mongolian Culture Symbol Recognition and Establishment of National Identity
중국 몽고족 문화상징에 대한 인식과 민족 정체성 확립을 위한 문화상징요소 연구
- Received : 2016.12.15
- Accepted : 2017.02.01
- Published : 2017.02.28
This paper is about on the most representative ethnic of China Mongolian as the research object, through the questionnaire survey to establish the understanding of national cultural symbol and the system of national identity, and lay a theoretical foundation for the application of Mongolian communication and design in the future. In order to achieve the objectivity of the data, so a questionnaire survey was conducted on 300 populations of Mongolian and other nationalities. The result is that the majority of the Mongolians believe that as the Mongolian people have a sense of pride, and the Mongolian nationality is a representative of china. Mongolian is a kind of aesthetic, creative, reliable, aggressive and like the decoration of the nation. The cultural symbols for design elements are cyan, Gen Gi Khan graphics, agate, and peaceful meaning and so on. The cultural symbols are used for celebration, as well as clothing accessories. The symbol of culture has played a positive role in the establishment of Inner Mongolia identity and the propaganda of the nation. The construction of Mongolian cultural symbol system plays an important role in the establishment of Mongolian national identity. To combine the meaning of nation and the mission of culture with national cultural resources. It is not only to help the development of minority culture, but also to promote the sense of pride of ethnic minorities.
Symbol of Culture;Mongolian;Identity
- 중화인민공화국통계청, 중국통계연감, 중국통계출판사, 2005.
- 조지훈, 한국문화사 서설, 나남, 1996.
- 북한 사회과학원 철학연구소, 철학사전, 1985.
- 송연호, "지역적 특성에 따른 상징조형물의 접근과 해서: 지역이미지를 나타내는 유형적, 무형적 상징조형물을 중심으로," 한국일러스트레이션학회, Vol.16, pp.51-62, 2008.
- 정한모, 김용직, 聞學槪說, 박영사, 1983.
- 신현욱, 남북 국가상징 및 민족문화상징 통합에 관한 연구, 중앙대학교, 석사학위논문, p.17, 2005.
- 鄭曉云, 文化認同論, 中國社會科學出版社, 1992.
- 殷海光, 中國文化的展望, 山東美術出版社, 1995.