• Title, Summary, Keyword: 문화콘텐츠

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A Study on Development Model for Digital Contents of Cultural Archetype (문화원형의 디지털콘텐츠 개발 모형에 관한 연구)

  • 황동열
    • Journal of the Korean BIBLIA Society for library and Information Science
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    • v.14 no.1
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    • pp.45-62
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    • 2003
  • This studied conceptional definition of digital contents and necessity of cultural contents by digital technology in progress. In addition, development process of cultural archetype digital contents based on ultimate idea and imagnation in our culture, refered from cultural archetype and digital content technology was offered by the study. Through abstraction of cultural archetype contents factor, this study deduced development model of digital contents extracted by value chain of cultural archetype contents.

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Practical Use of New Media in Making Cultural Content of The Cultural Archetype (뉴미디어를 활용한 전통 문화 원형의 문화콘텐츠화에 관한 연구 - 문화원형을 소재로 한 미디어아트 작품 사례를 중심으로)

  • Lim, Kyung-Ho;Kim, Min-Kyung;Choi, Moon-Sun;Yoon, Joon-Sung
    • 한국HCI학회:학술대회논문집
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    • pp.640-644
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    • 2008
  • In this paper, firstly, I take the concept of korean traditional cultural archetype and cultural content, and discuss about methodology that the cultural archetype can be cultural content. As the methodology of making cultural content of cultural archetype, analyzing media art which used material of the painting and korea traditional dance in the Chosun Dynasty, the photograph in the era from the end of the Chosun Dynasty to modern age, and a folk play, etc. And then I would like to suggest that the method of making cultural content of the cultural archetype using new media.

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한국전통화약무기 및 로켓의 디지털콘텐츠 소재개발 -web서비스를 중심으로-

  • 유원종
    • Review of Korea Contents Association
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    • v.1 no.2
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    • pp.83-91
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    • 2003
  • 문화관광부의 문화콘텐츠산업육성 사업 중 핵심적인 사업의 하나가 문화원형의 디지털콘텐츠 소재화 사업일 것이다. 이는 문화콘텐츠의 소재가 되는 문화유산을 비롯한 각종 문화원형 아이템들을 활용해서 경쟁력있는 디지털콘텐츠로 기획, 가공, 제작하여 유통 서비스하는 문화콘텐츠산업의 근간이 될 수 있는 것이며 결국 문화산업전체의 발전을 위한 중요한 포석이 된다. (중략)

문화콘텐츠의 보호.유통과 법적 문제

  • 조용순
    • Review of Korea Contents Association
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    • v.2 no.1
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    • pp.9-21
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    • 2004
  • 법적 의미로 "콘텐츠"란 "부호.문자.음성.음향 및 영상 등의 자료 또는 정보"(문화산업진흥기본법 제2조 제3호)이며, "문화적요소"란 "예술성.창의성 오락성.여가성.대중성"(문화산업진흥기본법 제2조 제1호 바목)을 말한다. 따라서 문화콘텐츠란 "문화적 요소가 체화된 부호.문자.음성.음향 및 영상 등의 자료 또는 정보"라고 할 수 있다. 이것이 '디지털'이라는 존재형식을 가지게 되면 "문화적 요소가 체화되어 경제적 부가가치를 창출하는 디지털콘텐츠"인 디지털문화콘텐츠가 된다(문화산업진홍기본법 제2조 제1호 제5호).(중략) 창출하는 디지털콘텐츠"인 디지털문화콘텐츠가 된다(문화산업진홍기본법 제2조 제1호 제5호).(중략).(중략)

콘텐츠연재 / 디지털 콘텐츠, "마케팅에 죽고 마케팅에 뜬다"

  • O, Ik-Jae
    • Digital Contents
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    • no.7
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    • pp.136-140
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    • 2003
  • 콘텐츠 비지니스란 엔터테인먼트, 정보, 교육 콘텐츠를 창작하고 디지털로 개발해 디지털 상품화시켜 유통하는 비지니스이다. 콘텐츠 비지니스에서 마케팅이란 콘텐츠 비지니스를 하고자 하는 기업 또는 개인이 콘텐츠를 기획, 제작, 편집해 소비자에게 경험시키는데 관련된 모든 체계적 비지니스 활동이다. 문화산업에서 콘텐츠 마케팅은 문화 마케팅이다. 문화 마케팅은 마케팅으로 문화를 창출하는 것이며, 문화를 마케팅에 접목하는 것이다.

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A Study for the Development of Place-Based Contents Reusing Existing Cultural Resources (기존 문화자원 재생을 통한 장소성 콘텐츠 개발 연구)

  • Lee, Minseok;Jeon, Young rok;Kim, Joonhan;Kim, Hyen ki
    • Proceedings of the Korea Contents Association Conference
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    • pp.225-226
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    • 2012
  • 산수실경 뮤지컬 왕의 나라는 지역문화콘텐츠 경쟁력과 가능성 확보를 위한 문화콘텐츠 제작사업이다. 기존 문화자원 재생(Regeneration)을 통한 장소성 콘텐츠 제작에 따른 일자리 창출과 문화산업화를 위하여 지역모델사업으로 기획되었다. 있는 이야기, 있는 사람으로 제작된 왕의 나라 공연결과는 약 300여명의 문화적 일자리 창출과 지역경제 활성화, 48,000명의 관람객 등 지역문화콘텐츠의 가능성을 엿 본 작품이다. 향후 역사, 인물, 스토리를 중심으로 한 산수실경 뮤지컬 왕의 나라는 문화관광산업 발전에 기여하는 경상북도 대표 문화콘텐츠 아이콘이 되고자 한다.

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A Study on the Cultural Contents Planning Model (문화콘텐츠기획 모형 연구)

  • Kim, Cheon-Young
    • The Journal of the Convergence on Culture Technology
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    • v.4 no.1
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    • pp.75-84
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    • 2018
  • This study aims to investigate cultural contents planning model by 'The Relation-Approach'. For this, I established conceptual framework of cultural contents, and suggested the General Model of Cultural Sentence Contents Planning: Concept Planning Model(CPM), Signifier Development & Choice Planning Model(SDCPM), Signifier Arrangement Planning Model(SAPM). The importance of culture is found in the importance of perceiving culture derived from the perception of importance of life. As culture is represented way of life constituted in the order of life, perceiving culture is regarded as perception of life in the view of that of cultural contents. Thus, cultural contents planning has not only its necessity and importance but also the meaning of existence in the aspect of being situated at the healthy order of life. Accordingly, A Study on the Cultural Contents Planning Model has usefulness in theory and practice, further more the possibility of attempting for the legitimacy and value contribution to the study of this realm will be accomplished.

Knowledge Hierarchy for Culture Contents Development (문화콘텐츠 개발을 위한 지식정보체계)

  • Kim, Sang-Heon;Kim, Na-Yun
    • The Journal of the Korea Contents Association
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    • v.11 no.12
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    • pp.711-722
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    • 2011
  • This article described relations between knowledge contents for culture contents. Knowledge contents include academic article, research report, digital replica for old books and digital cultural heritages with a high level of abstraction and complexity. The process of digitalization sets up the clearinghouse for information and knowledge of humanities which can be a critical resource for cultural contents development. Knowledge contents are deliverable of knowledge-information hierarchies. The knowledgeinformation resource management plan doing by Korean Studies Advancement Center shows the most of the hierarchies. As a result, this paper shows that the process of knowledge-information development and the process of cultural contents development are in a series of continuous process.With the help of information technology.

A Study on Metadata Formats for Integration of Cultural Contents (문화콘텐츠 통합을 위한 메타데이터 포맷 연구)

  • Cho, Yoon-Hee
    • Journal of the Korean Society for information Management
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    • v.20 no.2
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    • pp.114-133
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    • 2003
  • Recently, the organizations related to cultural contents are gradually expanding access to cultural contents for general public through the distributed network. However, since cultural contents have different characteristics than general contents, the objects, the of cultural contents seldom contain the words generally used for organization and search of information. If the cultural contents system is created without any consideration of such differences. We cannot effectively identify and search resources. Moreover, because the names, expressions and meanings are different between metadata elements of various cultural contents, it is very difficult to interconnect or share information between different systems. In order to solve these problems, proper organization ad management of metadata is vital. In this studym we have comparatively analyzed the data elements of each format based on Dublin Core, EAD, VRA, CDWA, CIMI, and Object ID, the metadata formats approached from various aspects in the cultural contents area. Through this study, we tried to provide the basic materials for integration of cultural contents by securing interoperability of different metadata formats.

An Implementation of Service Framework for Public Culture Contents in the Convergence Environment of Spatial Information and Culture Contents (공간정보 및 문화콘텐츠 융합 환경에서 공공 문화콘텐츠 서비스 프레임워크 구현)

  • Hong, Dae-Ki;Song, Byeong-Sun;Lee, Nam-Young
    • Journal of Digital Contents Society
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    • v.11 no.2
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    • pp.195-201
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    • 2010
  • Globalization, conversions, and OSMU (One Source Multi Use) in modern cultural industry is expanding fast, and global competition is soaring with a changing environment today. In fact, the development of one nation depends on its cultural creativity. Yet, there is an increasing need for a connection between space and culture since globalization homogenizes a nation's unique cultural identity and provides low level of utilization in digital cultural contents in terms of saving, conserving and maintaining data. In order to invigorate the cultural industry, there must be some information that provides public culture contents, which they can be freely searched, displayed, and re-produced. Ultimately, these public culture contents should be able to provide Culture Space. This text discusses how individuals produce the Culture Space, which provides digital information of time and space, from a relationship between culture and space. It also introduces the public Culture Contents service framework in order to provide culture information and combined Culture Contents.