• Title, Summary, Keyword: 힙합

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힙합 문화, 하위문화, 그리고 이들 문화에 대한 사회·문화적 함축성: 독일, 한국 및 미국의 힙합 그룹들에 대한 비교분석을 중심으로 (Hip Hop Culture, Subculture, and the Social and Cultural Implications: A Comparative Case Study on Hip Hop Culture among Germany, Korea and the USA)

  • 게르케 사브리나;백선기
    • 한국콘텐츠학회논문지
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    • v.17 no.6
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    • pp.362-381
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    • 2017
  • 일반적으로 사람들은 자신들이 갖는 국적에 따라 분류되지만, 각 개인의 문화적 경향은 반드시 자신들이 속한 국적에 의해 결정되지 않는다. 오히려 하나의 문화적 배경을 가진 사람이라 하더라도 자신이 속한 하위문화에 따라 자신의 정체성과 다양성이 형성된다. 본 연구는 힙합 장르 노래에 대한 분석을 통해 미국, 독일, 한국의 하위문화적 속성을 밝혔다. 이를 위해 음원 판매액과 힙합의 역사에 관한 기존 연구를 토대로 각 국가에서 힙합이라는 장르가 출현한 시점 및 2016년의 가장 인기 있었던 노래를 각각 한 곡씩 총 여섯곡을 선정해 기호학적으로 분석했다. 국가별 힙합의 초기 및 현재 모습에 대한 비교 분석결과, 흥미롭게도 힙합은 대상에 대한 묘사에 있어 점점 유사해져 가는 동시에, 더욱 개인주의적 경향을 띠고 있음을 공통적으로 지니고 있다. 그러나 세부적인 측면에서 각 국가 간 차이가 발견되었다. 미국 힙합에서는 대표적으로 아메리칸 드림(American Dream)에 대한 열망이 드러났으며, 독일의 힙합에서는 과도한 남성성 이미지가 강조되었다. 한편, 한국 힙합은 보다 일상적인 생각과 이야기를 중심으로 전개되는 양상을 띠었다. 나아가 비록 사회 비판의 도구로서 힙합이 갖는 중요도가 점차 감소하고는 있지만, 여전히 힙합은 강력한 문화적 반항이자 새로운 도전의 상징으로 인식되고 있다.

여성 힙합의 음악적 특성이 여성 힙합 패션에 미친 영향 - 국내 최초 여성 힙합 서바이벌 프로그램 『언프리티 랩스타(Unpretty Rapstar)』를 중심으로 - (Effects of the Musical Characteristic of Female Hip-hop on Female Hip-hop Fashion - Focus on Unpretty Rapstar the First Female Hip-hop Survival Program in Domestic -)

  • 이서도;염미선
    • 한국의상디자인학회지
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    • v.18 no.3
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    • pp.129-144
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    • 2016
  • The purpose of this study is to identify current trends in hip-hop fashion in korea and how they are influenced by musical characteristics of female hip-hop. This study considers the relationship between female hip-hop music and their fashion through the history of hip-hop. Data has been collected and analyzed from broadcastings, performances, music videos, and album jackets of female musicians who appeared in the cable television program 'Unpretty Rapstar' by MNET during two seasons in 2015. "Unpretty Rapstar" is the first program to focus on the music and fashion of female Korean hip-hop musicians. For the theoretical review, this article examines books and journal articles, which provide insight into the history and formation of hip-hop. It also analyzes the hip-hop styles of female musicians in Korea through Hiphopplaya.com, an Internet site specializing in hip-hop. the results of the analysis of the fashion of female Korean hip hop musicians is as follows: The characteristics of the styles of female hip-hop artists come out of Glam Style, which emphasizes femininity, but is also composed of a practical and dynamic street casual style. Most of the clothes are skinny jeans and sweat suits with vertical and slim-fit silhouettes or stadium jackets and jersey jackets with oversized silhouettes. The main colors of these outfits are prominently yellow and red with darker grayish tones, but also include natural achromatic colors.

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힙합의 발전에 따른 힙합패션의 발생과 변천 (The Origination and Changes of hiphop Fashion on the Development of Hiphop)

  • 이지현;정은숙
    • 복식
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    • v.46
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    • pp.5-16
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    • 1999
  • The purpose of this study was to analyze the present fashion phenomenon by considering the types of Hiphop that shows the origination background and special feature. Popular music plays the most significant role in this 'age of culture' by its musical and visual methods through mass media. A fashion reflects and represents the culture of it's era. From the early 1990's a new fashion style called 'Hiphop' has become a universal hit among teenagers and even among those in 20s and 30s. As we can see from these points Hiphop fashion has the characteristics of being sporty borderless and genderless. In other words fashion represents individal's unique characters and their culture. This is why the study of fashion trends such as Hiphop is important; becanuse they can give us a series of fascinating insights into all sorts and conditions of men and women in our time : how they view theselves and how they choose to relate to other people whether of their own age or otherwise.

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한국 대중음악 속의 저항의식 - Folk와 Rap Music 속의 저항의식 비교분석 - (Resistance Consciousness of Korea's Popular Music - Comparative analysis in the Folk music and Rap Music -)

  • 최용선
    • 한국산학기술학회:학술대회논문집
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    • pp.97-100
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    • 2011
  • 본 고에서는 포크음악과 힙합(랩)음악의 기본정신에 대하여 알아보고, 이에 따른 시대적 호응에 따른 저항의식을 알아보고 그러한 저항의식이 시대적으로 포크와 힙합(랩)음악에 얼마나 그리고 어떻게 적용이 되고 묻어나 있는지에 대하여 비교분석하여 알아보고자 한다.

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힙합 뮤지션의 패션 스타일 연구 - 흑인 뮤지션 스타와 국내 힙합 뮤지션의 비교 연구 중심으로 - (Research on New Hip Hop Fashion of Glam Style - Focusing on Black Musician Star and Korean Hip Hop Musicians -)

  • 이인성;이순자;최보영;이민정;손이정
    • 한국의상디자인학회지
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    • v.8 no.1
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    • pp.127-136
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    • 2006
  • These researches discussed promotions and effectiveness in the area of star marketing production, copying, advertising, and expenditure on clothes. The thesis is refreshing in the way it deals with analysis of strategical changes in the fashion of entertainers asia cultural industry developed. I specially focused on comparing and analyzing the changes in style of Hip Hop fashion from the period of inferior culture to the period in which their fashion is highly respected. Also, I'd like to study the influence of the fashion to Korean Hip Hop artists. The Hip Hop musicians developed their styles from underdog images of Hip Hop to glamourous and luxurious styles along with modeling in various magazines appealing sexually. In Korea, Seven and Hyori Lee are showing new and changed styles that are different from the past to their fans. The Hip Hop style now is showing with unimaginably luxurious styles as opposed to its original image. With their pursuance of ostentatious and luxurious styles Hip Hop was reborn as new Glam style. Old Hip Hop styles such as ripped jeans, safety pins, graffiti, and loose and exaggerated silhouette give inspirations to many worldly known designers and their collection. Hip Hop that used to be a branch of a low culture was able to grow to the culture of luxuries via the development the media and improvement of lives and the level of consciousness of the middleclass. Music stars with luxurious Hip Hop fashion influenced coming of a new musical genre and Korean musicians largely. I hope this research can help developing the unique low-culture and creating new trend in the field of entertainers' fashion.

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힙합 패션 트렌드에 관한 연구 -2000년대 이후 트렌드를 중심으로- (A Study of Hip-hop Fashion Trends -Focusing on the Trends Since 2000-)

  • 김윤
    • 복식
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    • v.60 no.2
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    • pp.1-19
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    • 2010
  • The purpose of this research is to examine the rise of hip-hop culture and its characteristics which have been established as a part of popular culture amid other subcultures and to examine the overall concept of hip-hop fashion which has been developing since its rise in the 1970s and particularly to examine the hip-hop after the turn of the new century when it has gone through several iterations and changes while simultaneously accommodating different trends and reflecting a highly diverse larger culture. The research methodology is a literature-based research that uses classification and analysis based on the preceding research including related books and dissertations and, considering that this research focuses on the characteristics of hip-hop from the 2000s to the present, mainstream news media such as newspapers and magazines around New York images of famous hip-hop culture & stores websites were used in this research. The most characteristic hip-hop fashions since the 2000s examined by this research comprise prep-hop, slim formal suits, skurban, hip-hop Goth, and hip-hop Tatto. First, prep-hop is a mixed match of a preppy look with latest hip-hop sentiments and hip-hop styles. Second, there are slim formal suits that reflect a change of trends that strongly show changes of hip-hop fashion consumers who have been following sports stars' fashions. Third, skurban is a hip-hop fashion combined with the look of skaters. Fourth, hip-hop Goth is what emphasizes strong Goth images such as grunge, skull, and devil in hip-hop fashions based on vintage fashion. Fifth, hip-hop Tatto style designs have appeared in diverse items such as trendy clothes and accessories that were most popular since the 2000s. Hip-hop fashion since the 2000s up to the present is beginning to be integrated with diverse other cultures and its most prominent characteristics is a change into slimmer silhouette.

Y세대의 힙합패션 구매행동에 관한 연구 (A Study of Y Generation's Purchasing Hip-Hop Fashion)

  • 김현숙;최선형
    • 한국의류학회지
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    • v.26 no.9
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    • pp.1320-1330
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    • 2002
  • The purpose of this study was to classify Y generation according to Hip Hop mania elements and to investigate the differences in psychological characteristics (self-consciousness, egocentrism) and buying behavior of Hip Hop fashion among the classified groups. The subjects were 500 middle and high school students living in Seoul and Kyonggi area.46g data were analysed using cluster analysis, ANOVA and Duncan's multiple range test. The results were as (follows : As a result of classifying Y generation with Hip Hop mania element including behavior and attitude aspect they were classified into three groups; Hip Hop mania group, Hip Hop interesting group, Hip Hop uninterested group. Among groups there were significant differences in public and private self-consciousness, self-centeredness, evaluative criteria of Hip Hop fashion, information sources and clothing store patronage. Hip Hop Mania group showed significantly higher level in both public and private self-consciousness, thus the members of the group were so egocentric in their thinking and behavior. When they purchased Hip Hop fashion, they regarded both aesthetic appreciation and practicality as import information.

재퍼니즈 & 이탈리안 퀴진, 트라이베카

  • 엄지훈
    • 주택과사람들
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    • pp.106-106
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    • 2006
  • 한동안 휴식기를 가졌던 트라이베카가 한층 업그레이드된 모습으로 다시 찾아왔다. 현재 뉴요커들이 가장 열광하는 재퍼니즈 & 이탈리안 퀴진과 힙합 다이너의 인테리어를 갖춘 뉴 트라이베카가 오픈했다.

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힙합의 문화적 성격과 관련한 힙합 패션의 특성 연구 (A Study on Hip-hop Fashion followed Hip-hop Culture)

  • 김서연;박길순;정현숙
    • 복식문화연구
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    • v.9 no.5
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    • pp.747-758
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    • 2001
  • The purpose of this study was to make hip-hop clear as a comprehensive cultural factor, and to analyze how it was reflected and shown in the modern fashion. The fashion influenced by hip-hop consisted of music(mcing), dance(b-boying), art(graffiti), technology(djing), and clothing(hip-hop style) was as follows; 1. Each music, dance, and art factor was expressed as multiethnic style, a oversized sportive style, and a graffiti look. 2. Oversized-Sportive style was the most peculiarity in Old School's hip-hop fashion. 3. Sportive style was changed into Multiethnic-Baggy style in New School's hip-hop fashion.

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