• Title, Summary, Keyword: Contemporary Architectural Trend

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A Study on Characteristics of Eclectic Expression in contemporary Architecture (현대건축의 절충적 표현특성에 관한 연구)

  • 배준현;전명현
    • Korean Institute of Interior Design Journal
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    • no.17
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    • pp.166-172
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    • 1998
  • Eclecticism had begun at 1820's and ended at the beginning of the 20c quoted historic and contemporary architecture. This trend is considered with architectural quotation and the meaning has the same text of the eclectic trend of Postmodernism, This study focuse on eclectic characteristics and have purposes of theoretical approaching to and formal analyzing to Contemporary Architecture. And it will be necessary to construct contemporary built environment for diversity of form Because expression of Architectural form by ecleticism is a method without experience designers can take architectural language by indirect experience of another worlds' architectural styles. Architectural form of Ecleticism has to be expressed by designer's own analysis when take a normal identity by creative principal of form-composition it will be a methodology of form composition and a prope necessity.

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A Study on the Thermal Properties of Architectural Greenery System Typology Based on the Contemporary Architectural Trend (현대건축경향에 입각한 건축물녹화시스템 유형의 열적물성치에 관한 연구)

  • Kim, Tae-Han;Lee, Ju-Hee;Kim, Chul-Min
    • KIEAE Journal
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    • v.13 no.1
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    • pp.65-74
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    • 2013
  • Recently, greenery system is frequently applied on buildings and artificial grounds to improve urban ecological functionality. Specifically, architectural greenery is also known as an architectural language that can meet the sustainable design concept of architects. Although the architectural greenery system can be optimized through an interdisciplinary approach between architecture, horticulture and landscape- architecture, there is a problem of communication on the ideal gap between them. Therefore, this study is expected to establish the comtemporary architecture as hi-tech and the organic architecture in internationalism. Moreover, it can analyze the case study on architectural greenery system designed by a Pritzker Prize winner who represents the comtemporary architectural trend. In this analysis, we calculate and compare the U-value of the free-form surface system based on the international standards: ISO and CIBSE etc. Moreover, we calculate a change of artificial soil transmittance respect on compounding ratio of the bottom ash and pearlite. In the case of California Academy of Science by Renzo Piano, total transmittance of the greenery system results in 48% of domestic thermal insulation standard in dry condition. This result will be used as a basic study to promote developing the advanced system based on the concept of consilience.

A study on the Herzog & de Meuron′s Architectural Language (헤르조그와 드 뫼론(Herzog & de Meuron)의 건축언어에 관한 연구)

  • 신정화;김문덕
    • Korean Institute of Interior Design Journal
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    • v.13 no.3
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    • pp.61-68
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    • 2004
  • Contemporary Architecture stands on the basis of the influence of the formative arts, and it carves out a new field of architecture through various technical or material expressions. Herzog & de Meuron, whose has been recognized internationally, are one of few artists following this Contemporary architectural flow. This thesis analyzed his work of art by the trend of times, and base on the results, tried to find his architectural language. Three points have been concluded through this architectural thesis. The architectural language does not deal with our monotonous environment, but deals with it technically. It's expressed all the architectural factors that we already know and used through new ways, so that, finally, it makes people feel the work of art in different point of views. I desire more future researches will focus on the many types of architectural and interior design languages that the Contemporary society craves.

Inframince in Contemporary Architectural Surfaces - On the Emergence of the Ornament in Modern and Contemporary Period - (현대건축 표면에서 나타난 앵프라맹스에 관한 연구 - 근/현대 장식성의 발현을 중심으로 -)

  • Park, Jong-Hyun;Lee, Young-Soo
    • Korean Institute of Interior Design Journal
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    • v.27 no.1
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    • pp.68-79
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    • 2018
  • The main purpose of this paper is to introduce 'Inframince' in modern and contemporary architecture. The Inframince(English: infra-thin) is a concept coined by Marcel Duchamp. The conceptual definition of the term "Inframince" by Marcel Duchamp replied that the notion is impossible to define, "one can only give examples of it:". It describes fine indirect perceptions of physical phenomena. Inframince is conductor of two dimensions into three, the essential dynamic in the practice of making space. Inframince is the interval between an inhabitant and their environment that both connects and separates. This study deals with the difficult situation how Contemporary Architecture represents itself over the 20th century modernity and asks the question how it presents its ornamentality. In order to analyse contradictory situation between self-referentiality and ornamentality in Modern/Contemporary Architecture we need to survey the historical process of changing position of ornaments and its meaning in time. The article also analyze the selected works of contemporary architects like Herzog & de Meuron, Jean Nouvel, to show that the trend reversal continues now more than ever. The Architectural surface must be a different kind of media that can communicate in different way with compared to conventional ornament. If we understand Duchmp's Inframince to be the provocation of the unuseful things, and if we interpret Contemporary fact that all specific Architectural Surfaces have been dissolved in timelines, it shows us post-trend of the Surfaces via conspicuous consumption or desire.

Trend Analysis of Contemporary Korean Architecture according to the recategorization of the notion of Landscape (랜드스케이프 개념 재유형화에 따른 한국현대건축의 경향분석)

  • Yoon, Gab-Geun;Kim, Ki-Wan
    • Korean Institute of Interior Design Journal
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    • v.17 no.4
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    • pp.32-41
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    • 2008
  • It has been a recent phenomenon over 1980-1990s that the notion of Landscape has had significant position in contemporary architecture. And the execution range isn't limited to a certain area but is extended to various areas. Under such influence of trend of the times, various architectural attempts in which landscape notion is applied have been tried by the group of architects of our country which are mainly composed of young architects. This study aims to derive the features of landscape appearing in our contemporary architecture by analyzing how Landscape notion is embodied in our Landscape architecture which are claiming the expression of Landscape notion as nature, human beings and view. The purpose of the study is to suggest the limitation and the direction to go through of Korean Landscape architecture through the analysis of such features. Through the recategorization of the Landscape notion, this study reviews the features in detail shown in buildings in Heyily Art Valley which were built strongly based on the expression of the Landscape notion, the art works in Paju City of Publishing Industry and other Landscape buildings. The findings of the review show that Landscape architectural notion has been attempted not only in a certain facilities but also in various genres of architecture. And also it shows that the expression of Landscape notion is performed not by various ways but by only limited ones which are preferred.

Architectural ornament and structure: a study on the links between contemporary ornamental trends and traditional ornament, focusing on the relation between decoration and tectonics (건축적 장식과 구조: 장식과 텍토닉의 관계를 중심으로 전통적 장식과 현대 장식 경향의 연계관계에 대한 연구)

  • Dacarro, Fabio
    • Korean Institute of Interior Design Journal
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    • v.21 no.6
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    • pp.158-167
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    • 2012
  • This research began by considering that, although architecture and architectural culture of the last two decades seem to have rediscovered ornament and some recent studies have reconsidered the ornamental issues of contemporary buildings, there is currently some difficulty in providing a synthetic investigation of this topic, because of the complex nature of the contemporary architectural situation. Following this premise, this research provides some reference points for further studies that will aim to expand the understanding, and attempt to classify and hypothesize the future of contemporary ornamental phenomena. Based on the assumption of the historical continuity of ornamental problems, and adopting the relation - both technical and aesthetic - between ornament and structure as one of the crucial issues to link past and present problems, the study firstly defines two categories and two sub-categories concerning the relation between ornament and structure, namely: a) ornament integral with the structure and b) ornament applied to the structure; a1) ornament visually expressing the structure and a2) ornament not visually expressing the structure. The study then reviews the historical development of ornament from ancient times to the present in the light of the above mentioned categories, and finally discusses the principles of traditional and modern ornament thus analyzed in relation to contemporary ornamental trends, as identified in selected case studies. Some common points between past and contemporary experiences are revealed in order to facilitate further investigations. In particular, the analysis shows a certain trend in contemporary architecture for a strong link between ornamental treatment and the structure of the building and a current tendency among contemporary designers to keep the exterior appearance of the building project separate from the design of the rest of the construction.

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A Study on the Meaning and the Design Trend of the Body in Contemporary Architecture (현대 건축에 있어서 신체의 의미와 디자인 적용에 관한 연구)

  • Jang, Jung-Jae
    • Korean Institute of Interior Design Journal
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    • v.22 no.4
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    • pp.3-14
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    • 2013
  • This study is aimed to specify the meaning of the body and the design trends in contemporary architecture. Architecture is based on the human life of various meaning, events, experiences, images, senses and interactions through the body. Thoughts, behaviors, and senses of human are interrelated in architectural experiences. Individuals experience the built environments and space, not through the ideas but through the senses and movements of the body. So, bodies make the real space of architecture. Contemporary architecture accepts the theory of phenomenology and places on the thoughts of Maurice Merleau-Ponty, Heidegger, Nroberg Schulz and so on. Such researches effect on the architectural trends to make design processes works on the programs in views of the expansion and the structuralization of human body. In detail, the aim of this study is to analyse the architecture as the fields of the subject with body as the center, design processes and principles changed form metaphysical thought to phenomenological discourse, and the design trends in contemporary architecture at last. In process of movements, vision centered architecture moves into the bodily experienced architecture and changed the trends from absolute form design to design of relative processes. In conclusion, architectural formation-dissolution-reconstitution of body creates the architectural thoughts such as human proportions, perspective space, ergonomics, modular, organic architecture, experience space, synesthesia, event architecture, fashion-invoked architecture, interactive surfaces, metamorphosis, and others.

A Study on the Characteristics of Indeterminate Program in Contemporary Architecture (현대의 건축공간에 나타난 비결정적 프로그램의 특성에 관한 연구)

  • Kim, Yun-Jung;Park, Chanl-Il
    • Proceedings of the Korean Institute of Interior Design Conference
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    • pp.155-160
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    • 2005
  • This study is focused on the indeterminancy of the contemporary social structure based on the philosophical concept of relationship. The indeterminate relationship is one of the prominent characteristics of contemporary architecture. This study aims to clarity the indeterminate programs of the contemporary urban spatial structures. By tracing this new characteristics of new architectural trend, the spatial situations of could be understood in light of new conceptual frame as well as some relevant architectural project cases.

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A Study on the Relation of the Theory of Language and Architectural Discourses Appeared after 1960 (1960년대 이후 등장한 건축적 담론들과 언어이론과의 상관관계에 관한 연구 -포스트 모더니즘, 해체주의 건축, '주름잡힌(folding)' 건축을 중심으로-)

  • Jung, In-Ha
    • Journal of architectural history
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    • v.8 no.2
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    • pp.87-108
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    • 1999
  • Since 1960, the change of architectural trend was dominated by two factors ; the one, the introduction of theory of language (including semantic, syntactic, pragmatic, linguistic, semiotic, structuralism, post-structurism) in design concept, the other, the adaption of high technology in building construction. In particular, the theory of language played an important role in the emergence of new tendency, which could be the alternative of modern architecture. Post-modernism and Typology in the 1960-70s, Deconstructivism in the 1980s and 'Folding' architecture in the 1990s, have continually borrowed a theoretical base from the thee of language. Placing the focus on the relation of contemporary architecture and theory of language with the interdisciplinary view, this study comes to the conclusion that the diverse architectural tendencies since 1960 depend on the 'champ d'enonce', which Michel Foucault, French philosopher, defined in his . The writings of many architects, like Robert Venturi, Micheal Graves, Aldo Rossi, Peter Eisenman, Rem Koolhaas, Bernard Tschumi, Gerg Lynn demonstrate our conclusion. This is an important finding which make possible consistent understanding about contemporary architecture.

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A Study on Design Trends of the Contemporary School Architecture -Focused on School Buildings since the Second Half of the 1980's- (동시대(同時代) 학교건축(學校建築)의 디자인 경향(傾向)에 관한 연구(硏究) -1980년대 후반이후 학교건물을 중심으로-)

  • Lee, Hwa-Ryong
    • Journal of the Korean Institute of Educational Facilities
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    • v.14 no.1
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    • pp.5-13
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    • 2007
  • An architectural practice cannot help involving a social art as its own concept. Especially school buildings are subjected to the influence of not only the educational philosophy and the national curriculum, but also the sociocultural context with the change of the times. This study aims to explore the contemporary trends of school architecture and give new inspiration to the school design practice. After it establishes the 'contemporary' school architecture as school buildings built from the second half of the 1980's to the present time, this paper classifies them into 4 categories : popularist trend, traditional and regional tendency, revival of classicism and the pursuit of art for art's sake.