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A Study on the Public's Perception on Accordance with Change of Exhibition Space in an Art museum after 1990's - The Formal Form of Exibition Space and the Informal Form of Exhibition space in Glytothek Munchen - (1990년대 이후 미술관 전시공간 형태의 변화에 따른 관람자의 작품인지에 관한 연구 - 글립토텍을 중심으로 한 정형전시공간과 비정형편시공간 -)

  • Lee, Jung-A;Moon, Jung-Mook
    • Proceedings of the Korean Institute of Interior Design Conference
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    • pp.74-77
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    • 2008
  • In the relationship between exhibition space and art work in art museum, the Pluralism on the late of the 20th century made the new form of exhibition space to be appeared on the stage. Even if formal exhibition space that emphasized itself as a non-spatial background is currently being continued, the informal form of exhibition space is coming to the new art museums, especially after 1990's. This study is to understand how the advent of new designed the informal form of exhibition space in the Glytothek museum(the formal form of exhibition space) design a new paradigm In the relation between the exhibition space and art work in conjunction with public's perception. To do this, it is made clear that the Glytothek museum(the formal form of exhibition space) simply has played a role of non-spatial background. In other hands, the new designed informal form of exhibition space that is mainly presented after 1990's begins to Interrupt the public's perception of art work, changing it's meaning through a spatiality.

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A Study on the Lighting Characteristics Appeared Architectural Space by Steven Hall and Richard Meier's works (스티븐 홀과 리차드 마이어의 건축공간에서 나타나는 빛의 표현 특성에 관한 연구)

  • Kim, Jung-Gon;Koh, Gwi-han;Bang, Moon-sun
    • Korean Institute of Interior Design Journal
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    • v.22 no.6
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    • pp.251-258
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    • 2013
  • Space and figure are formed not by themselves but by the existence of light. It is important that plays a role as an intermediary of cognition which enables the formation of space and figure through Human's recognition in the process of design. Human perceive space and identity every basic form by the contrast of light and dark. The existence of light is very inclusive concept in the space, so space and form are completed by light. The change of based on time, place, and its amount acts as an important element Which can change the form of Space. In Space light doesn't work simply as light itself, but have a very close relation with Space, Form, Structure, Material, Color elements, Space is limited by physical form but human perceive space relatively by many other conditions, So same space can be experienced differently by the characters of light. Human can recognized and observe an object in the space as he processes information collected through light. In this process light make it possible for human to see the shape in space. therefore, the shape of space can get meanings when light exists. the space recognized by light is the mean that activates human activates in space.

RICCI CURVATURE OF INTEGRAL SUBMANIFOLDS OF AN S-SPACE FORM

  • Kim, Jeong-Sik;Dwivedi, Mohit Kumar;Tripathi, Mukut Mani
    • Bulletin of the Korean Mathematical Society
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    • v.44 no.3
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    • pp.395-406
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    • 2007
  • Involving the Ricci curvature and the squared mean curvature, we obtain a basic inequality for an integral submanifold of an S-space form. By polarization, we get a basic inequality for Ricci tensor also. Equality cases are also discussed. By giving a very simple proof we show that if an integral submanifold of maximum dimension of an S-space form satisfies the equality case, then it must be minimal. These results are applied to get corresponding results for C-totally real submanifolds of a Sasakian space form and for totally real submanifolds of a complex space form.

A Study on Patterns of Spatial Connection and Visitor's Circulation Path in Museum Exhibition Space (박물관 단위전시실의 공간연결패턴에 따른 관람객 동선특성에 관한 연구)

  • Choi Jun-Hyuck
    • Korean Institute of Interior Design Journal
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    • v.15 no.3
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    • pp.155-162
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    • 2006
  • Space is integrated or segment with organic formation by circulation path. It estimates important problem to grasp as factor that promote movement of visitor and space organization without grasping circulation as connection relation about simple space function from these viewpoint, is a thing which this study does not cause confusion to visitor's circulation path through data that analyze form of space connection and visitor's circulation path as quantitative in museum space and layout form that access by easy each unit exhibition grasps what it is. This study does factor grasping for guideline and inspection circulation path of layout by purpose in exhibition space on the basis of analytical result that grasps connection form between exhibition area that grasp laying stress on visitor's movement and appears in space through follow-up survey for circulation path of museum exhibition area. Space connection form that is expose by sequence of investigation and analysis(II) estimates on constituent affecting to visitor's circulation, and these do not speak for all space connection forms at the museum, but may systematize typology about connection form of unit spaces to utilize by indicator pointer of space planning if continue study to various spatial sphere more than hereafter. Unit exhibition area, divide connection form of space by grid and tree and laying stress on this quantitative data by spectator follow-up survey comparison and Estimate that space connection form provides partial basis of judgement for supposition that can promote direction and circulation path about visitor's movement if summarize result of investigation and analysis (III).

CHARACTERIZATIONS OF REAL HYPERSURFACES OF TYPE A IN A COMPLEX SPACE FORM USED BY THE ζ-PARALLEL STRUCTURE JACOBI OPERATOR

  • Kim, Nam-Gil;Ki, U-Hang;Kurihara, Hiroyuki
    • Honam Mathematical Journal
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    • v.30 no.3
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    • pp.535-550
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    • 2008
  • Let M be a real hypersurface of a complex space form with almost contact metric structure $({\phi},{\xi},{\eta},g)$. In this paper, we study real hypersurfaces in a complex space form whose structure Jacobi operator $R_{\xi}=R({\cdot},{\xi}){\xi}$ is ${\xi}$-parallel. In particular, we prove that the condition ${\nabla}_{\xi}R_{\xi}=0$ characterize the homogeneous real hypersurfaces of type A in a complex: projective space $P_n{\mathbb{C}}$ or a complex hyperbolic space $H_n{\mathbb{C}}$ when $g({\nabla}_{\xi}{\xi},{\nabla}_{\xi}{\xi})$ is constant and not equal to -c/24 on M, where c is a constant holomorphic sectional curvature of a complex space form.

The Characteristics of Worship Space of Worship type in Korea Protestant Church Since 1990 - Focus on the Traditional Worship Space and the Contemporary Worship Space - (1990년 이후 한국 개신교회의 예배유형에 따른 예배공간특성 - 전통예배공간과 현대예배공간을 중심으로 -)

  • Kim, Ki-Hyun;Lee, Gyoo-Baek
    • Korean Institute of Interior Design Journal
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    • v.18 no.5
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    • pp.175-182
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    • 2009
  • Korea Protestant slower growth and social church's changes in the environment of the traditional worship center for the sermon to a variety of changes was required, because of this period reflects the availability of a new type of worship was to appear. These changes in the type of worship in the form of the worship space, and space configuration is affecting many more. This study was the type of church korea today, the type is classified as a traditional worship and contemporary worship, and to characterize the category by a change in the type of church worship space in the configuration that affects cases throughout the analysis was to investigate, study follows. Traditional worship the center of the altar, the altar placed platform form, a vertical elevation of the platform sheet form, the installation of the cross, place the side of the choir seats, church chair type attribute appears tradition and in part compressed pulpit appears symbolism. Contemporary worship to the exclusion of the symbolic elements of the platform open, flat sheet form and the platform was the preferred form of minor elevations of the flat, multi-purpose space used for worship to sermon platform placed around the altar of the adjustable type, the choir seats placed in scheelite, preferred form of scheelite was an individual chair. However, the characteristics of traditional and contemporary worship space features a mix of worship space, quite a lot of cases that have been found. Integrated and consistent element of the worship space, the worship of the discrepancy in the form of systematic theological depth analysis did not come true without lust about contemporary culture is changing rapidly to accommodate sprawl is judged. Therefore, the characteristics of the type of worship and prayer to understand the changes in the church building is a prerequisite to be a very important aspect.