The Freewheeling Beauty Expressed in the Western Women's Costumes of Korea Since 1990

1990년대(年代) 이후(以後) 한국(韓國) 서양여성복(西洋女性服)에 표현(表現)된 '자유분방(自由奔放)함'의 미(美)

  • Lee, Hyo-Jin (Major of Clothing and Textiles, Chonbuk National University)
  • 이효진 (전북대학교 생활과학대학 의류학)
  • Published : 2001.02.28

Abstract

The purpose of this study is to have a new understanding of the freewheeling beauty inhering in the Korean western costumes, traditionally the freewheeling beauty has been the root of Korean beauty expressed in the Korean feeling. First, the theoritical inquiry for this study was processed to understand formativeness of the Korean popular arts, folk painting, pottery, pansori(dramatic song), masked dance. The results of the theoritical analysis were as follows; the korean beauty inherited in the Korean popular arts, was represented plastic words as good-humor, unsophisticated, homely, plainness, simplicity, artless, unartificial, crudely etc, the freewheeling beauty implied the beauty of good-humor, the beauty of naivety. In conclusion, the creative Korean beauty reflected in the western costumes by Korean designers was derived from freewheeling characteristics of Korean feeling. After this study, I came to conclusion that it‘s very important to recover, reperceive, revaluate the inner meanings inherited Korean western costumes.

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