Journal of the Korean Society of Costume (복식)

The Korean Society of Costume (한국복식학회)
권호 표지

The Gandhara Buddhist Robe and its Development in China

간다라 불의 형식의 시작과 중국으로의 전개

  • Published : 2005.08.01
Download PDF
⟨ Previous Next ⟩

Abstract

The main feature of Buddhist sculpture Is said to lay in how it can materialize the divineness. Therefore lots of people used to pay attention to whether its religious features draw people's reverence or not. However, the robe of Buddhist sculptures has not won its proper attention. The Buddhist robe Is usually considered as a mere measure to make Buddha's supernatural feature more vivid. However, contrary to our expectation, the robe is the very real one which can be found in people's lift. The Gandhara Buddhist sculpture robe does not have sleeves, but several sheet of clothes covered the sculpture. Moreover, we can find same features in monk's robe which appeared in the Gandhara art. I can therefore conclude that this robe is not confined to Buddha, but is very popular one in that time in Gandhara. This article would survey the main feature and its relevant things about Gandhara Buddhist sculpture's robe, especially its change process while it had been transmitted to China.

Keywords

References

  1. 中阿含經 卷11 王相應品 三十二相經(大正藏 卷第1, No. 26)
  2. 方廣大莊嚴經 卷3(大正藏 제3권)
  3. A.B. Griswold (1963). Prolegomena to the study of the buddha's dress in Chinese sculpture. Artibus Asiae. 26(2), pp. 85-131 https://doi.org/10.2307/3249039
  4. A.B. Griswold (1965). Prolegomena to the study of the buddha's dress in Chinese sculpture. Artibus Asiae. 27(4), pp. 335-340 https://doi.org/10.2307/3249014
  5. 崔完秀 (1973. 9). 간다라 佛衣考. 佛敎美術, 1, pp. 76-116
  6. 井筒雅風 (1993). 法衣史. 雄山閣出版, pp. 14-21
  7. 문명대 (2003. 12). 간다라 불상론. 강좌미술사, 제21호, pp. 8-10
  8. 문명대 (2003. 12). 간다라 불상론. 강좌미술사, 제21호, pp. 8-10
  9. A.B. Griswold (1963). Prolegomena to the study of the buddha's dress in Chinese sculpture. Artibus Asiae. 26(2), pp. 85-131 https://doi.org/10.2307/3249039
  10. 井筒雅風 (1993). 法衣史. 雄山閣出版, pp. 14-21
  11. 崔完秀 (1973. 9). 간다라 佛衣考. 佛敎美術, 1, pp. 85
  12. 崔完秀 (1973. 9). 간다라 佛衣考. 佛敎美術, 1, pp. 80
  13. A.B. Griswold (1963). Prolegomena to the study of the buddha's dress in Chinese sculpture. Artibus Asiae. 26(2), pp. 85-131 https://doi.org/10.2307/3249039
  14. 최완수 (1973. 9). 간다라 佛衣考. 佛敎美術, 1, pp. 99-100
  15. 문명대 (2003. 12). 간다라 불상론. 강좌미술사, 제21호, pp. 9-58
  16. 문명대 (1988). 간다라불상조각. Gandhara, I, 한.언, pp. 224-225
  17. 최완수 (1973. 9). 간다라 佛衣考. 佛敎美術, 1, pp. 78-83
  18. Ingholt, Harald, Ghandharan Art in Pakistan.(The Connecticut Academy of Arts and Sciences, 1971)
  19. M.Ashraf Khan, Gandhara Sculptures in Swat Museum, Saidu Sharif, 1993
  20. Makin Khan, Archaeological Museum Saidu Sharif, Swat, Saidu Sharif, 1997
  21. Makin Khan, Gandhara Art Origin and development in Uddiyana, Pakistan, Saidu Sharif, 1997
  22. 이주형 (2003. 3). 간다라미술. 사계절
  23. 박도화 (2003. 12). 폐샤와르박물관의 불상조각. 강좌미술사, 제21호
  24. 김영애, 탁실라박물관의 불상조각. 강좌미술사, 제21호
  25. 임영애 (2003. 12). 스와트박물관의 불상조각. 강좌미술사, 제21호
  26. 유근자 (2003. 12). 디르박물관의 불상조각, 강좌미술사, 제21호
  27. 고정은 (2003. 12). 라호르박물관의 불상조각. 강좌미술사, 제21호
  28. A.B. Griswold (1965). Prolegomena to the study of the buddha's dress in Chinese sculpture. Artibus Asiae. 27(4), pp. 335-340 https://doi.org/10.2307/3249014
  29. 林玲愛 (1997. 10). 西域彫刻을 통해 본 東西美術交流. 美術史學, 제11집, 한국미술사교육연구회, pp. 45-66
  30. 長廣敏雄. 雲岡石窟に於ける佛像の服制について. 東方學報, 東都 15.4
  31. 岡田健.石松日奈子 (1993). 中國南北朝時代の如來像着衣の硏究(上)(下). 美術硏究, 第356.357號, pp. 181-203 223-239
  32. 肥田路美 (1988). 中國の優塡王思慕像について. 美術史硏究, 26, pp. 23-41
  33. 김리나 (1988). 阿育王造像 傳說과 敦煌壁畵. 초우 황수영박사 고희기념 미술사학논총. 통문관
  34. 김리나 (1989). 인도불상의 중국전래考-菩提樹下 金剛座眞容像을 중심으로-. 한국고대불교조각사연구. 일조각, pp. 270-288
  35. Alexander Soper, 'South Chinese influence On The Buddhist Art of The Six Dynasties Period', The Bulletin of the Museum for far Eastern Antiquities, NO.32, Stockholm, 1960
  36. 최경원 (1994). 북위 불상복제의 중국화에 대한 연구사적 고찰. 미술사연구, 8
  37. 문명대 (1997). 南北朝樣式問題와 梁中大同元年銘 金石三尊佛坐像의 연구. 강좌 미술사, 제9호
  38. 문명대 (1999). 중국 남북조 불상양식 연구의 과제. 미술자료, 63호