A Study on Hybrid Reflected on Western Style Fashion

웨스턴 스타일 패션에 나타난 하이브리드 경향

  • Hahn, Soo-Yeon (Dept. of Clothing and Textiles, Sookmyung Women's University) ;
  • Yang, Sook-Hi (Dept. of Clothing and Textiles, Sookmyung Women's University)
  • Published : 2009.08.30

Abstract

The purpose of this study is to comprehend western style in fashion and to contemplate the hybrid tendency reflected on western style, thereby to analyze the aesthetic characteristics of the hybrid tendency of western style. For such purposes, this study first examines western style historically, in order to analyze hybrid tendency reflected on western style, and conduct a case study by analyzing photographic materials of pr t- -porter collection since 1980s. The result of this study is as follows: the hybrid tendency reflected on western style are modification and fusion of regional culture, adaptation and composition of subcultures, and appropriation of sexual minority culture. (1) Modification and fusion of regional culture is expressed in ethnic items and patterns of embroidery, mixing Mexican and Spanish, American Indian and American cultural references. (2) Adaptation and composition of subcultures emphasize traditional or vintage western style by mixing characteristics of western and other subcultures. (3) Appropriation of sexual minority culture is expressed in rhinestone chaps and fetish corset, glitter rodeo suit, reminiscent of drag or queer cultural references. The result of this study will provide basis which can be utilized in the development and educational background of fashion design.

Keywords

References

  1. 김경란 (2004). “다문화시대의 하이브리드 패션과 메이크업에 관한 연구.” 성신여자대학교 대학원 박사학위논문.
  2. 남기묘, 박혜원 (2001). “랄프로렌 디자인 브랜드에 표현된 아메리칸 스타일 연구.” 창원대학교 생활과학연구 5권.
  3. 송수원 (2008). “영국, 미국 패션의 문화정체성에 관한 연구.” 서울대학교 대학원 박사학위논문.
  4. 양미경 (2002). “하위문화 복식의 스타일 연구: 1930년대부터 1990년대까지.” 성신여자대학교 대학원 박사학위논문.
  5. 이재윤 (2008). “2000년대 패션에 나타난 한중일 전통문화코드.” 서울대학교 대학원 박사학위논문.
  6. 장미선 (1994). “로큰롤 패션에 관한 연구.” 이화여자대학교 대학원 석사학위논문.
  7. 정상준 (1997). “포스트모더니즘, 실용주의 그리고 다문화주의.” 미국학 20권.
  8. 최혜정, 임영자 (2001). “20세기말 현대패션에 나타난 다문화주의.” 복식 51권 2호.
  9. 최호정 (2008). “현대 패션에 나타난 글로벌, 구조적 하이브리드: 아시아, 아프리카, 라틴 아메리카 복식문화를 중심으로.” 서울대학교 대학원 박사학위논문.
  10. 한창호 (2006). “순수로의 불가능한 회귀,〈브로크백 마운틴〉.” 시네 21 2006년 3월 22일.
  11. Callan, Georgina O'Hara (1998). Dictionary of Fashion and Fashion Designers. London: Thames and Hudson.
  12. de la Haye, Amy and Cathie Dingwell (1996). Surfers Soulies Skinheads & Skaters: Subcultural Style from the Forties to the Nineties. London: Victoria & Albert Museum.
  13. George-Warren, Holly and Michelle Freedman (2001). How the West was Worn. NY: Harry N. Abrams, Inc.
  14. Hilfiger, Tommy (1999). Rock Style: How Fashion Moves to Music. NY: Universe.
  15. June, Jennifer (2007). Cowboy Boots. NY: Universe.
  16. Lipset, Seymour Martin (2006). 미국 예외주의-미국에는 왜 사회주의 정당이 없는가. 강정인, 문지영, 하상복 역. 서울: 후마니타스.
  17. McDowell, Colin (1997). The Man of Fashion: Peacock Males and Perfect Gentlemen. London: Thames and Hudson.
  18. Pattison, Angela and Nigel Cawthorne (1997). A Century of Shoes: Icons of Style in the 20th Century. Edison, NJ: Chartwell.
  19. Polhemus, Ted (1994). Streetstyle: from Sidewalk to Catwalk. NY: Thames and Hudson.
  20. Schmid, Beate and Ingrid Loschek (2001). Klassiker der Mode(패션의 클래식). 황현숙 역. 서울: 예경.
  21. Sims, Joshua (1999). Rock Fashion. London: Omnibus Press.
  22. http://www.samsungdesign.net
  23. http://www.style.com