DOI QR코드

DOI QR Code

The Effect of Congruency and Familiarity of Background Music in TV Advertising on the Music's Role as a Retrieval Cue

  • Hwang, Insuk (Department of Business Administration, University of Seoul) ;
  • Kim, Hwa-Kyung (Department of Hotel Management, Jeju International University)
  • Received : 2014.08.22
  • Accepted : 2014.12.12
  • Published : 2015.01.31

Abstract

Assuming that not all background music in advertising function as effective retrieval cues for the advertised messages, this study proposes that we should be able to distinguish the retrieval cue effect of music from the simple ad exposure effect. This study tries to identify which specific characteristics of music are related to the retrieval cue effect. Our experiment focuses on congruency and familiarity of music as key characteristics of music which affect the effectiveness of the music's role as a retrieval cue for the advertised messages. We used four groups of subjects to test the retrieval cue effect of the background music. Each group was exposed to one of the four different types of background music and was again sub-divided into an experimental and a control group (i.e., a total of eight independent sub-groups were included in the experiment.) The first two sub-groups were exposed to the experimental advertisement with the background music of high congruency and high familiarity. After the ad exposure, the background music was provided as a retrieval cue to only one of the two sub-groups. Comparison of the memory performance between the two sub-groups will reveal the net retrieval cue effect of the music of high congruency and high familiarity. Similarly, another two sub-groups watched the same ad but with the background music of high congruency and low familiarity. Also the same ad but with the music of low congruency/ high familiarity was shown to another two sub-groups and that of low congruency and low familiarity music was to another two. Among the two sub-groups with the same music, only one group had the music cue at the memory tasks. One hundred and seventy four undergraduate students at the college of one of authors in Asia participated in the study. Their ages ranged from 18 to 24 with a median of 20. The sample was composed of 51.7 percent male subjects. They were randomly assigned to each of the eight sub-group. The results show that the music highly congruent with the advertised message facilitates the message retrieval, while the low congruency music cue does not. It was also found that the low familiarity music cue improves memory performance only when the music is perceived as congruent with the advertised message. From a theoretical and practical perspective, this study provides boundary conditions for effective retrieval and suggests that the congruent music specifically created for the ad is a more effective retrieval cue than other types of music cues.

Keywords

References

  1. Allen, Chris and Thomas J. Madden (1985), "A Closer Look at Classical Conditioning," Journal of Consumer Research, 12(Dec.), 301-315.
  2. Allan, D. (2006), "Effects of popular music in advertising on attention and memory," Journal of Advertising Research, 46, 434-444.
  3. Anand, P. and B. Sternthal (1990), "Ease of Message Processing as a Moderator of Repetition Effects in Advertising," Journal of Marketing Research, 27, 345-353.
  4. Baker, J., A. Parasuraman, D. Grewal, and G. B. Voss (2002), "The Influence of Multiple Store Environment Cues on Perceived Merchandise Value and Patronage Intentions," Journal of Marketing, 66(April), 120-141.
  5. Batra, R. and Ray, M. (1983), "Advertising Situations: The Implications of Differential Involvement and Accompanying Affect Responses," in Information Processing Research in Advertising, R. Harris, eds, New York: Erlbaum, 127-151.
  6. Bruner II, G. C. (1990), "Music, Mood, and Marketing," Journal of Marketing, 54(4), 94-103.
  7. Caldwell, C. and S. A. Hibbert (2002), "The Influence of Music Tempo and Musical Preference on Restaurant Patrons' Behavior," Psychology and Marketing, 19(11), 895-917.
  8. Dawson, Scott, Peter H. Bloch, and Nancy M. Ridgway (1990), "Shopping Motives, Emotional States, and Retail Outcomes," Journal of Retailing, 66 (Winter), 408-427.
  9. Donovan, R. J. and J. R. Rossiter (1982), "Store Atmosphere: An Environmental Psychology, Journal of Retailing, 58, 34-57.
  10. Dunbar, David S. (1990), "Music, and Advertising," International Journal of Advertising, 9(3), 197-203.
  11. Eroglu, Sevgin A., Karen A. Machleit, and Jean-Charles Chebat, "The Interaction of Retail Density and Music Tempo: Effects on Shopper Responses," Psychology and Marketing, 22(7), 577-589.
  12. Dube, L. and S. Morin (2001), "Background Music Pleasure and Store Evaluation: Intensity Effects and Psychological Mechanisms," Journal of Business Research, 54(2), 107-114.
  13. Dube, L., Jean-Charles Chebat and S. Morin (1995), "The Effects of Background Music on Consumers' Desire to Affiliate in BuyerSeller Interactions," Psychology and Marketing, 12(4), 305-319.
  14. Goldsmith, Ronald E. and Barbara Lafferty (2000), "The Impact of Corporate Credibility and Celebrity Credibility on Consumer Reaction to Advertisements and Brands," Journal of Advertising, 29(3), 44-54.
  15. Gorn, G. J. (1982), "The Effects of Music in Advertising on Choice Behavior: A Classical Conditioning Approach," Journal of Marketing, 46(1), 94-101.
  16. Gorn, G.J., M. E. Goldberg, A. Chattopadhyay, and D. Litvack, (1991), "Music and Information in Commercials: Their Effects with an Elderly Sample," Journal of Advertising Research, 31(5), 23-32.
  17. Hahn, Minhi and Insuk Hwang (1999), "Effects of Tempo and Familiarity of Background Music on Message Processing in TV Advertising: A Resource Matching Perspective," Psychology and Marketing, 16(8), 659-676.
  18. Herrington, J. D. (1996), "Effects of Music in Service Environments: A Field Study," The Journal of Services Marketing, 10(2), 26-41
  19. Hilliard, O. M. and P. Tolin (1979), "Effects of Familiarity with Background Music on Performance of Simple and Difficult Reading Comprehension Tasks," Perceptual and Motor Skills, 49, 713-714.
  20. Hoyer, W. D., R. K. Srivastava, and J. Jacoby (1984), "Source of Miscomprehension in Television Advertising," Journal of Advertising, 13(2), 17-26.
  21. Kellaris, J. J., A.D. Cox, and D. Cox (1993), "The Effect of Background Music on Ad Processing: A Contingency Explanation," Journal of Marketing, 57(4), 114-125.
  22. Kleinbaum, D. G., L. L. Kupper, and K. E. Muller (1988), Applied Regression Analysis and Other Multivariable Methods, PWSKENT: Wadsworth.
  23. MacInnis, D. J. and C. W. Park (1991), "The Differential Role of Music on High- and Low-involvement Consumers' Processing of Ads," Journal of Consumer Research, 18(2), 161-173.
  24. Maher, J. K., M. Y. Hu, and R. H. Kolbe (2006), "Children's recall of television ad elements- An examination of audiovisual effects," Journal of Advertising, 35(1), 23-33.
  25. McEwen, William J. and Clark Leavitt (1976), "A Way to Describe TV Commercials," Journal of Advertising Research, 16(6), 35-39.
  26. Milliman, R. E. (1982), "Using Background Music to Affect the Behavior of Supermarket Shoppers," Journal of Marketing, 46(3), 86-91.
  27. Milliman, R. E. (1986), "The Influence of Background Music on the Behavior of Restaurant Patrons," Journal of Consumer Research, 13(2), 286-289.
  28. Oakes, S. (2007), "Evaluating empirical research into music in advertising: A congruity perspective," Journal of Advertising Research, 47, 38-50.
  29. Park, C. Whan and S. M. Young (1986), "Consumer Response to Television Commercials: The Impact of Involvement and Background Music on Brand Attitude Formation," Journal of Marketing Research, 23(Feb.), 11-24.
  30. Petty, Richard E. and John T. Cacioppo (1985), "The Elaboration Likelihood Model of Persuasion," in Advances in Experimental Social Psychology, Vol.19, L. Berkowitz, ed. New York: Academic Press.
  31. Petty, Richard E, John T. Cacioppo, and David Schumann (1983), "Central and Peripheral Routes to Advertising Effectiveness: The Moderating Role of Involvement," Journal of Consumer Research, 10(2), 135-146.
  32. Pitt, Leyland F. and Russell Abratt (1988), "Music in Advertisements for Unmentionable Products- A Classical Conditioning Experiment," International Journal of Advertising, Aug., 130-137.
  33. Sewall, M. A. and D. Sarel (1986), "Characteristics of Radio Commercials and Their Recall Effectiveness," Journal of Marketing, 50(1), 52-60.
  34. Stewart, D. W., K. M. Farmer, and C. I. Stannard (1990), "Music as a Recognition Cue in Advertising-Tracking Studies," Journal of Advertising Research, Aug/Sep, 39-48.
  35. Stout, P. A., and J. D. Leckenby (1988), "Let the Music Play: Music as a Nonverbal Element in Television Commercials," in Nonverbal Communication in Advertising, S. Hecker and D. W. Stewart, eds., Lexington, MA: D.C. Heath., 207-223.
  36. Till, B. D. and M. Busler (2000), "The MatchUp Hypotheses: Physical Attractiveness, Expertise, and the Role of Fit on Brand Attitude, Purchase Intention and Brand Beliefs," Journal of Advertising, 29(3), 1-13.
  37. Tom, G. (1990), "Marketing With Music," The Journal of Consumer Marketing, 7(2), 49-54.
  38. Tulving, E., and D. M. Thomson (1973), "Encoding specificity and retrieval processes in episodic memory," Psychological Review, 80, 352-373.
  39. Wallace, W. T. (1991), "Jingles in Advertisements: Can They Improve Recall ?," Advances in Consumer Research, 18, 239-242.
  40. Wind, Y. (1982), Product Policy: Concepts, Methods, and Strategy, Addison-Wesley Publishing Company.
  41. Zaichkowsky, Judith L (1985), "Mesasuring the Involvement Construct," Journal of Advertising Research, 12(3), 341-352