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A Study on the Characteristics of Pedestrian Movements in Wangs hu's 'Suan Shanger' Architecture

왕슈의 수안산거(水岸山居) 건축에 나타나는 보행자 동선의 특징에 관한 연구

  • Kim, Jong-Sung (Institute for Education Innovation, Jeonbuk National University)
  • 김종성 (전북대학교 혁신교육개발원 교양교육센터)
  • Received : 2020.11.16
  • Accepted : 2021.01.14
  • Published : 2021.02.28

Abstract

The characteristics of Wang shu architecture are the composition of the external space in consideration of the natural environment, the abstract beauty of the blank space according to the planning principle of the classical Chinese garden according to the movement line, the personality and originality in consideration of the surrounding context and scale. This study analyzed viewpoints, architectural devices, materials, programs, etc. through examples and literature from the perspective of the movement line taking into account the planning principles of the classical Chinese garden appearing in 'Suan Shanger' architecture. It also studied the main architectural language of Wang Shu, and analyzed the characteristics of internal and external spaces connected to the paths by identifying the site, entrance, section, and structure of 'Suan Shanger' architecture. Suan Shanger is a soil compaction-style building that includes programs such as hotels, tea houses, and seminar rooms for foreign professors and visitors at the University of Fine Arts in Hangzhou, China, and is a work that best expresses Wang Shu's architectural concept. Suan Shanger architecture was formed with various flow lines like a labyrinth constructed in a complex city, and there are various flow lines depending on the surrounding environment such as a waterfront road in front of the site, a road between buildings, a courtyard, stairs, and a road installed on the roof. As a result of the analysis, the paths formed in Suan Shanger's architecture can be largely divided into south-north path, zigzag path, horizontal path, and roof path according to level. This kind of the paths was classified in consideration of the viewpoint, surrounding context, and visitors' senses. Three changes in the viewpoint of the paths (Look-up perspective, Deep perspective) were considered from the planning stage. As architectural devices, there are frame scenery and borrowed scenery devices that draw the scenery of the surrounding environment into the interior space, a courtyard space formed between buildings and buildings, stairs and ramps connecting the courtyard, and a space to stay. Materials such as soil, bamboo, concrete, metal, and natural materials linked to various paths are harmoniously composed, showing traditional and modern beauty. Each of the configured paths causes the presentation of the direction of entry, visual changes according to usage, various experiences, etc. As such, the various paths of Suan Shanger's architecture influenced the changes in viewpoint, architectural devices, materials, and programs, and stimulated users' curiosity to form an interesting space. Above all, the characteristics of Suan Shanger's architecture include the perspective of the planning principles of the classical Chinese garden, harmony of materials that combine modern and traditional, ambiguous boundaries of programs, order and chaos by users' choice of paths, and these architectural characteristics of Wang Shu show the guidelines for the succession of traditional architectural culture applied to modern architecture.

Keywords

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