DOI QR코드

DOI QR Code

A Study on the Image of Women by Chinese Ancient Aesthetic View(I) - Focused on Tang-Song Dynasty -

중국 고대 심미관에 의한 여성 이미지 연구(I) - 당송시기(唐宋时期)를 중심으로 -

  • 강동화 (중국 연변대학교 미술학과)
  • Received : 2022.07.26
  • Accepted : 2022.09.06
  • Published : 2022.09.30

Abstract

This paper aims to analyze the different external images of women expressed in ancient artwork through the socio-cultural background and the aesthetic view during the Tang and Song dynasties of China. The research method contains a literature review involving the collection of historical literature, thesis, and artwork data. The image of women according to the aesthetic view of the two periods is summarized as follows. In terms of face shape, the Tang pursued a round face while the Song pursued a more slender shape. As for hair ornamentation, the Tang wore various shapes of hair buns like "Paojiaji", and decorated them with coronets. The Song wore various types of braided hair called "Tongxinji", but the coronets were smaller and more sophisticated. For makeup, the Tang wore colorful and heavy makeup and the Song makeup was lighter and more elegant. In attire, the Tang followed revealed shape, used splendid colors and thin, transparent material. The Song exhibited a more simple design and was conservative and neat, using luxurious silk fabric with low chroma. In body shape, the Tang pursued the "beauty of obesity" with a voluptuous body shape; the Song pursued the "beauty of gaunt" with a slim body shape. As the result of the analysis according to the aesthetic views of the Tang and Song dynasties, women of Tang were depicted as rich, and women of Song were rather neat. The research on the aesthetic views that changed according to the development of social civilization and the status of women will play an active role in the transmission and development of traditional Chinese culture. At this point, the paper may contribute to the creation of images of women as well as changes in the art of future generations.

Keywords

Acknowledgement

본 논문은 2020년 중국 연변대학교 교내 사회과학기금(2020XYB11) 지원에 의해 연구되었음.

References

  1. 김만희. (2013). 당(唐)대 화장문화에 나타난 미의식. 건국대학교 대학원 박사학위 청구논문.
  2. 류염. (2010). 당(唐)조 여자복식이미지를 활용한 복식디자인연구. 한서대학교 국제예술디자인 대학원 석사학위논문.
  3. 박현화. (2003). 한국근대미술에서 여성이미지의 형성과 전개. 목포대학교 대학원 석사학위논문..
  4. 陈炎. (2000). 中国审美文化史.唐宋卷.[중국심미문화사]. 济南: 山东画报出版社. pp.170-174.
  5. 李福顺. (2003). 中国美术史[중국미술사]. 北京: 高等教育出版社.
  6. 李娜. (2019). 唐宋仕女雕塑形象研究[당송사녀조소 이미지에 관한 연구]. 景德镇陶瓷大学 硕士学位论文.
  7. 罗丹妮. (2019). 宋代绘画中的女性形象研究[송대회화중의 여성이미지연구]. 武汉理工大学 硕士学位论文.
  8. 廖雯. (2005). 绿肥红瘦-古代艺术中的女性形象和闺阁艺术[녹비홍수-고대예술중의 여성이미지와 규방예술]. 重庆: 重庆出版社. pp.42-48.
  9. 彭日伟. (2015). 论唐宋仕女画风格特征及其演变[당송사녀화풍격특징및그변천을 논하다]. 赣南师范学院 硕士学位论文.
  10. 王宗英. (2009). 中国仕女画艺术史[중국사녀화예술사]. 南京: 东南大学出版社.
  11. 王怒啸. (2018). 宋代人物画中女性形象特征研究[송대인물화중여성이미지특징연구]. 河北师范大学 硕士学位论文.
  12. 巫鸿. (2019). 中国绘画中的 「女性空间」 [중국회화중의 「여성공간」]. 北京: 生活.读书.新知三联书店.
  13. 尹吉男. (2019). 中国美术史[중국미술사]. 北京: 高等教育出版社.
  14. 张传友, 侯玉鑫. (2017). 浅析唐代仕女画中的女性美[당대사녀화의 여성미에 대한 분석]. 자료검색일 2021.06.08. 자료출처 http://www.cnki.net.
  15. 百度百科. (2021. 06. 15). 百度. 자료검색일 2022. 8. 14, 자료출처https://baike.baidu.com.
  16. 百度知道. (2019. 10. 04). 百度. 자료검색일 2022. 7. 14, 자료출처https://zhidao.baidu.com.
  17. 百度图片. (2022. 05. 10 - 2022. 07. 20) 자료출처 https://image.baidu.com