International Journal of Internet, Broadcasting and Communication

  • 제15권3호
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  • Pages.82-87
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  • 2023
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  • 2288-4920(pISSN)
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  • 2288-4939(eISSN)
한국인터넷방송통신학회 (The Institute of Internet, Broadcasting and Communication)
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A Research of Ink and Wash Elements on the 3D Animation Film <Deep Sea>

  • Biying Guo (Dept. of Multimedia, Gradute School of Digital Image and Contents, Dongguk University) ;
  • Xinyi Shan (Dept. of Multimedia, Gradute School of Digital Image and Contents, Dongguk University) ;
  • Jeanhun Chung (Dept. of Multimedia, Gradute School of Digital Image and Contents, Dongguk University)
  • 투고 : 2023.06.03
  • 심사 : 2023.06.12
  • 발행 : 2023.08.31
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초록

<Deep Sea> is an 3D animated film that stands out for its exceptional special effects and distinctive artistic style. The film employs a multitude of dazzling and vibrant ink particles, creating a strong sense of three-dimensionality and weightlessness, while simultaneously portraying a dreamlike and elegant representation of a deep sea ink painting. Furthermore, through the utilization of fragmented stream of consciousness narrative technique, the film establishes a unique artistic effect infused with a Chinese atmosphere. This paper by analyzing the unique particle ink art style and color and stream of consciousness narrative methods in film, this paper discusses the innovative art style generated by traditional ink art style combined with three-dimensional technology, and the integration of traditional ink art ideas and artistic conception in animated films. The objective is to cultivate a new ink art style and prove the importance of traditional cultural expression in animated films, while providing new perspectives for the future application of traditional art in animation.

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참고문헌

  1. Shui Yu, "Visual Spectacle Construction and Exploration of Animation Style: A Conversation with the Creative Team of Deep Sea on Animation Production", Film Art, No. 2, pp.129-134, 2023.
  2. Biying Guo, Xinyi Shan, "A Study on the Color Expression in the 3D Animation<Deep Sea>", Journal of Convergence Contents, Vol.5 No. 1, pp. 48- 50, Spring 2023.
  3. Baiguotang Art Sketching Base, "Zeng Jian Created a School of His Own and Created a New Painting Method of 'ink and Wash Consciousness Stream'", Zhi Hu, https://zhuanlan.zhihu.com/p/335784594.
  4. Sha Li, "On the Formation and Transformation of the Modern Significance of the Traditional Color View in Chinese Animation Films in the New Century", New Films, No.02, pp.141-149,2022.
  5. Hua Ma, Ying Huang, "Poetic Narration-The Evolution and Innovation of Classic Chinese Ink and Wash Animation Plays", Contemporary Animation, No.02, pp.54-60, 2023.
  6. Xinyi Shan, Jeanhun Chung, "A Study on the Development Direction of Traditional Cultural Contents in the Age of Convergence Media", The Journal of The Institute of Internet, Broadcasting and Communication, Vol. 22, No. 3, pp. 99-104, 2022. DOI:https://doi.org/10.7236/JIIBC.2022.22.3.99
  7. Xiaodi Cui, Xinyi Shan, Jeanhun Chung, "A Color Study of the Sky Area Focused on the Van Gogh's Paintings", International Journal of Internet, Broadcasting and Communication, Vol.15, No.1, pp.113-119,2023. DOI:https://doi.org/10.7236/IJIBC.2023.15.1.113