• Cross-Cultural Studies
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• v.33
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• pp.359-384
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• 2013

There is linguistic phenomenon that Korean syllable, morpheme and word are substituted with Chinese Character. These phenomenon is called Chinese Character Borrowing, the Chinese character used here is called Borrowed Chinese Character. Whereas borrowing Chinese character in Chinese is used for borrowing only sound for different word, borrowing Chinese character in Korean is used for assigning new meaning. Hence, by borrowing Chinese character in Korean, a syllable which had no meaning originally get new meaning, morpheme and word meaning has changed. At advertisement and campaign, Chinese Character Borrowing has lots of linguistical advantage such as visual immediacy, effectiveness of meaning expression. However, there are number of cases found that violate grammar rule and word constitution practice by Chinese Character Borrowing. For this reason, Chinese Character Borrowing has the problem polluting Korean along with another foreign words. Thus, this paper focus on study Chinese Character Borrowing phenomenon in Korean, and analysis its effectiveness and impact in Korean. In addition, analysis the problem of Borrowed chinese Character, and suggestion several alternative for right use of Korean is followed.

• The Magazine of the Society of Air-Conditioning and Refrigerating Engineers of Korea
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• v.29 no.9
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• pp.75-78
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• 2000

환경친화적 자동차에 대한 관심이 커질수록 여러 분야에서 시스템 설계의 영향을 더욱 더 잘 이해하려는 노력이 진행되고 있다. 자동차용 냉방기의 경우 냉방시스템의 세밀한 분석과 환경에 미치는 영향을 최소화하기 위한 설계가 이루어지고 있다. 그 중에서도 냉매의 선택과 그 냉매의 환경적 영향에 대한 자세한 연구가 필요하다. 몬트리올 조약 이후 자동차 산업계는 대부분 R-134a를 채택하고 있는데 이는 R-134a가 오존층을 파괴하지 않을 뿐 아니라 적절한 사이클 효율을 가지면서 안전하고 비독성이며 불연성이기 때문이었다. 최근 지구온난화와 이산화탄소($CO_2$)의 발생원에 대한 관심은 산업계가 사용냉매를 재검토하게 하는 계기가 되었으며, R-134a도 교토 조약의 규제냉매에 속해 있어 자동차용 냉방기의 대체냉매에 대한 연구가 시급하다고 여겨지고 있다. R-134a와 관련된 주된 논점은 냉매 누설시의 영향이다. R-134a의 지구온난화지수(GWP)는 1,300인데, 이는 누출되었을 때 1,300배의 이산화탄소가 누출된 것과 동일하다는 것을 의미하다. 최근 자연냉매의 선호와 맞물려 냉매로서 이산화탄소의 평가에 많은 관심이 모아지고 있다. 본 글에서 자동차용 냉방기의 대체냉매로서 이산화탄소의 상대적인 장점과 R-134a와의 비교에 대해 수행된 연구결과를 나타내었다.

• Cross-Cultural Studies
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• v.48
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• pp.135-191
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• 2017

The purpose of this study was to select words with "shared cultural charge" that are unique in French culture and to study cultural content hidden in these words. It also explores the cultural phenomenon of same French borrowed words used in the Korean language. The study was conducted from two perspectives: perspective of internal French culture defined by Galisson and inter-cultural perspective. The first section of this study introduces the theory "lexiculture" and definition of the words "shared cultural charge." In the following section, among main items of 795 borrowed words in the Korean language, we examined seven words in areas such as clothing, food, and housing. We studied content of the French culture according to the following three categories: (1) dictionary definition, (2) cultural phenomena, (3) special phenomenon in idiomatic expression. Our study illustrated a special connotation beyond the dictionary definition of words. In the next section, we examined the birth of a new cultural phenomenon and process of acquiring a new meaning in the Korean language. Finally, we analyzed differences and similarities between linguistic and cultural elements in both cultures. In this study, we provide basic data for inter-cultural education between France and Korea.

• Journal of Educational Research in Mathematics
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• v.13 no.3
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• pp.227-246
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• 2003

In this paper, some terms of high school mathematics which read Chinese characters phonetically in Hangul are studied semantically. Nowadays, most terms of high school mathematics are terms of Chinese characters given the reading of them in Hangul alphabet. In such terms of Chinese characters, there are many loan-words from daily life and newly coined terms. Some such terms are examined in respect of meaningfulness and rule-ness. The degree of meaningfulness and rule-ness of loan-words from daily life are relative. Students seems familiar to loan-words usually, but it is difficult to know whether students seems to be familiar to loan-words or not. Degree of familiarity to a certain loan-word must be relative. In loan-words, there are such terms whose mathematical meaning is different from daily life meaning. Such terms are strong in rule-ness. Newly coined terms are strong in rule-ness. Students are not familiar to newly coined terms which are not used in daily life and have only mathematical meaning. In coining new terms using Chinese character, unit characters are related directly or indirectly to concept which unit characters want to express. So, It is possible to guess something unit characters want to express by investigating them. According to Vinner(1991), images can be evoked. But in case of reading Chinese characters phonetically in Hangul, it can not be guaranteed for Hangul mathematical terms to evoke images which the original mathematical terms evoked. To solve such problems semantic investigation of mathematical terms has been suggested. Through this process, transplanting images which the original mathematical terms evoked into Hangul terms are planned.

• Cross-Cultural Studies
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• v.31
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• pp.287-308
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• 2013

Russian language tends to be quite open to borrowing. In Russian it has been for a long time the conventional way of expanding the lexicon, accepting many words from adjacent languages, including Church Slavic. In the contemporary Russian English has been the main source for loanwords. There are several linguistic factors for lexical borrowing: 1. the necessity of denominating new facts, phenomena or concepts, 2. the necessity of differentiating concepts, 3. the necessity of specializing new concepts, 4. the introduction of new international terms, 5. the increase of periphrastic expressions, 6. the needs for the more elegant and modern words. These factors have caused borrowing to enlarge the component of the lexicon and phrasal expressions, but excessive use of foreign words has brought about negative effects such as linguistic pollution. Some borrowed words are assimilated without serious conflicts, but other words undergo semantic changes in confrontation to existing words of similar meanings. These types of semantic changes comprise total change of meaning, reduction of semantic scale and extension of meaning. Semantic changes are caused by linguistic factors such as lexical conflict with existing words or by socio-culural factors such as misunderstanding of foreign words. And extension of meaning shows two types: qualitative extension and quantitative extension. The first means extending the semantic scope of a borrowed word and the latter - increasing the number of its sememe. In contemporary Russian language we can witness two productive phenomena: qualitative extension by socio-cultural factors, in which words with negative nuances are changed into those with positive ones and professional terms become common words, losing their professional meanings. On the other hand, by quantative extension some loanwords change their concrete meanings into abstract ones. In such cases loanwords acquire the additional meanings of abstractness, putting aside their original concrete meanings as the basic. On the contrary, the qualitative extension of adding the special meaning to general words or giving the concrete meaning to abstract words is not productive. And it is rarely witnessed that words of positive nuances are negatively used. It is considered that such cases are partly restricted in the spoken language or the jargon. Such phenomena may happen by the incomplete understanding of English words.

• 프린팅코리아
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• v.12 no.9
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• pp.90-93
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• 2013

한국코닥은 불황을 이기는 대표 아이템으로 소노라 XP 무현상 판재를 추천한다. 코닥 소노라 XP 무현상 판재는 이름의 X에서 알 수 있듯이 No Processing, 즉 무현상 과정을 강조한다. 또한 자연 그대로의 상태를 보존하고 있는 북아메리카 사막 지명인 소노라(Sonora)를 이름으로 차용함으로써 환경친화적인 의미를 상징화하고 있다. 친환경적이면서도 가격을 뛰어넘는 가치를 창출함으로써 고객의 부가가치를 높여주고 고정비용을 낮춰주는 제품이라고 할 수 있다.

• 한국HCI학회:학술대회논문집
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• 2006.02b
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• pp.33-38
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• 2006

뉴미디어의 특성을 지니며 더욱 다양한 가능성과 관계를 열어나가게 된 오늘날의 현대 건축은 근대 이전의 구축적 양식 중심의 형식으로부터의 탈피, 디자인 분야의 심미적 발달, 자연 친화적인 관점으로의 발달, 그리고 무엇보다 인간 중심의 건축 발달 등으로 인해 구조, 실체와의 관련성 이외에 표면(surface)으로의 관심이 집중되면서 감상적인 공간 구조를 낳고 있다. 이는 표면이 공간적인 효과를 내는 표면을 통해 새로운 소통의 길이 열리게 되고 건축물 그 자체의 자율성을 표현하는 동시에 주변 컨텍스트에 동참하게 되므로 경계 영역으로서의 의미를 전달하는 인터페이스로 발전해 가고 있음을 시사한다. 또한 최근에는 더욱 적극적인 미디어 재료의 사용으로 건축의 표면이라기보다는 오히려 독립된 스크린으로써의 모습을 보여주고 있고, 그에 더해 다양한 미디어 아트 작업의 차용으로 표면의 스크린화는 더욱 진화하며 이전과는 또 다른 효과와 의미를 전달하고 있는데, 이는 공간 사용자의 능동적인 수용 형태를 인지하고 건축을 완성하는데 있어서 중요한 주체가 됨을 시사한다. 본 논문에서는 이러한 건축 표면이 가진 인터페이스로서의 특성과 최근의 적극적인 미디어 재료 사용 및 미디어 아트 차용을 통한 다양하고 새로운 소통의 시도를 분석해 봄으로써 건축 표면이 가지는 더욱 넓은 범위에서의 가능성과 잠재력을 건축 그 자체가 가지는 특성 안에서 뿐만 아니라 수용자와의 상호관계 안에서 또한 연구해 보고자 하였다.

• Journal of Korea Game Society
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• v.7 no.1
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• pp.21-29
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• 2007

This paper attempts to analyze Starcraft by Greimas's Carre Semiotique and the theory of structure generation semiotics, which are useful for non verbal text as well as verbal text. First, by using the Christian Metz's grand syntagma theory and principle, this study articulated the text of starcraft. As a result, it revealed that Starcraft has the axis of sense of war and has the primary sense categories of production and destruction. The sense of the Starcraft is being generated by these axis of sense and sense categories. This analysis is expected to be a stepstone for the furthermore analysis of narrative and discoursive level.

• Proceedings of the Korean Society for Bioinformatics Conference
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• 2002.06a
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• pp.64-88
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• 2002

생물체의 유전자 서열들간의 유사성을 서로 비교해보는 일은(sequence alignment)는 분자생물학 연구에서 아주 기본적인 작업에 속한다. 이 작업은 컴퓨터 과학적 입장에서 살퍼보면 일종의 스트링 분석작업인데, 그 과정에는 매우 복잡한 생물학적인 가정이 내포되어 있다. 본 발표의 목적은 크게 두가지인데 하나는 컴퓨터과학 연구자들에게 서열정렬(sequence alignment)이 가지는 분자생물학적 의미에 대하여 개략적인 이해를 돕도록 하는 것이며, 다른 한편으로 분자생물학자들에게는 스트링처리방법을 이용한 서열정렬 문제에서 어떤 기술적인 한계가 있으며 그 한계를 극복하기 위한 새로운 방법론에 대하여 소개하여 컴퓨터과학적 이해의 폭을 넓히는 것이다. 그리고 생물체의 서열정보의 정렬과 매우 유사한 개념으로 각종 선형구조체(linear object)를 추상화 할 수 있른데, 그들간의 유사성도 같은 분자생물학적 방법론을 차용하여 분석할 수 있음을 보인다. 동시에 이것을 이용하여 각종 인터넷 문서나 프로그램, 등의 표절과 무단도용 등을 추적할 수 있는 방법론을 기존의 genomic sequence alignment tool을 차용해서 매우 효율적으로 할 수 있음을 보인다.

• Journal of the Korea Convergence Society
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• v.11 no.1
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• pp.109-117
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• 2020

This study aims to analyze typographic expressions used in recent fashion trends from the perspective of conceptual art and thus identify a variety of meanings. Towards this end, theoretical considerations were made vis-à-vis the main concepts of research, such as typography and conceptual art, and the ready-made, documentation, intervention and language, which are the expressive features of conceptual art, were applied to fashion typography as analytical frameworks. The results are as follows. The ready-made appears in a way that borrows or transforms the visual identity of other brands, and documentation is utilized in a way that lays tautological or contradictory texts together. Intervention arises, while leading to more complex layers of meaning when borrowing the visual identity of the brand, which is conceptually irrelevant. The language is expressed as statements about contemporary social issues, such as environmental protection, ethical consumption and gender problems. Based on the findings of this study, it can be confirmed that in fashion design, typography serves as an effective marketing tool and a medium of social statements. Moreover, it can expand into the possibility of generating new meanings as a novel way of visual expression.