• 복식
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• 제33권
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• pp.5-25
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• 1997

The purpose of this study was to analyze the characteristics of the Junk Art represented in the second half 20the century fashion. The highly developed material civilization resulted in human alienations environmental distruption. By this fact human being of the 20the century was to overcome social com-plexity. In this respect this research was focused that how the characteristics of the junk Art was expressed in the second half 20th century fashion. The concepts of the Junk Art lied in the creation of art work in the 2-dimentional plane of 3-dimentional space through the application of all junks (wood pieces industrial debris trash ready-made goods etc) cast by the mod-ern industrial society and the mass production system. Juck Art had been further envigorated in the footstep of the development of the collage method based on the creation of object aes-thetics. And junk artists have untitled social environments with art by assembling junks as a way of exploring the material world of cur-rent society and provided infinite possibilities of expressional medium and technique. Above all junk Art has been reflected in the fashion as well as other art. Especially a lot of the fashion design by the use of junks and the expressive image of junks is produced in the 20th century. That is many of fashion designers have always been aware of what is happening in the arts and have always been able to use the dis-coveries and ideas of the artist to help them solve design problems and creat fashion which are new inventive and reflective of their time. The fashion designers of the junk fashion design could be said to have presented much more possibilities and new development for-mulas to modern fashion design and provided a new order of other formative arts. Unlike the negative and destructive punk cyberpunk fashion junk fashion was a positive and optimistic aesthetics. junk fashion that keeps pace with science and the development of technology is devoted to trying to grasp the real form of ultimate re-ality.

• 생명과학회지
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• 제27권7호
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• pp.754-759
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• 2017

100 l scale 미세조류 배양 시스템은 LED 광을 기반으로 자체 제작하였으며 Nannochloropsis oculata를 f/2 medium에서 광도($100{\mu}mol/m^2/s$), 배양온도($20^{\circ}C{\pm}1^{\circ}C$), LD cycle (12 hr)으로 배양하였다. 그 결과 LED blue (475 nm)에서 $100{\mu}mol/m^2/s$의 광도, 24 mg/l의 nitrate 농도에서 100 l 대량배양 결과 최대 biomass인 1.07 g/l를 배양하였다. 이렇게 배양된 미세조류에서 유용물질을 추출의 위한 추출방법을 확보하고 나아가 산물의 추출, 농축 및 건조공정 기술을 최적화하고자 하였다. 추출은 물리적인 방법인 sonicator, homogenizer를 이용한 파쇄법과 화학적인 방법인 0.5M HCl 파쇄법을 이용한 결과 chlorophyll a, chlorophyll b, carotenoid 함량은 물리적인 파쇄법인 sonicator를 이용 시 1.6, 0.5, 0.3 mg/g cell, homogenizer 이용 시 1.0, 0.6, 0.2 mg/g cell로 측정되었다. 0.5M HCl의 화학적 파쇄법 이용 시 chlorophyll a, chlorophyll b 함량은 0.9, 0.8 mg/g cell으로 측정되었다. 파쇄시간당 추출되는 영양물질이 가장 높은 시간은 15 min 파쇄 시 3.6 mg/g cell로 측정되었으며 acetone, methanol, ethanol의 3가지 용매 중 acetone이 3.6 mg/g cell로 효과적이 용매로 측정되었다. 농축은 2종류의 연속원심분리장비(tubular type, disk type), 마이크로필터, 필터프레스 4종 장비를 이용하여 시험한 결과 마이크로필터, disk type 연속원심분리기, Tubular type 연속원심분리기의 경우 16.0, 1.1, 0.5 g/l의 순으로 시간당 수율을 확인하였다. 건조공정 최적화를 위하여 열풍건조기, 진공건조기, 분무건조기, 동결건조기 등의 4종 시생산설비를 이용해 미세조류의 시간당 회수율 분무건조기는 Dextrin 0.5 kg이 첨가되면 회수율이 80%이지만 순도가 떨어졌고 동결건조기 회수율은 60%로 측정되었다.