• 한국전자통신학회논문지
• /
• 제5권3호
• /
• pp.251-255
• /
• 2010

본 연구에서는 단일 주파수에서의 선행음과 후속음이 음원의 방향지각에 미치는 영향을 조사하였다. 실험은 자극간격 시간과 레벨차를 가진 1kHz 순음을 사용하였으며 기준음의 제시시간은 10ms로 하였다. 좌우 귀에 도달하는 시간차는 0.5ms로 두었다. 하나의 자극간격 시간에 대하여 4종류의 레벨차를 두었으며 제시음이 제시된 후 음이 좌에서 들리는지 우에서 들리는지를 판단하도록 하였다. 그 결과 후속음보다는 선행음이 음상정위에 미치는 영향이 크다는 것을 알 수 있었다.

• 대한음성학회:학술대회논문집
• /
• 대한음성학회 1996년도 10월 학술대회지
• /
• pp.207-207
• /
• 1996

The neutral tone is one of the most important distinguishing features in Beijing Mandarin, but there are two completely different views on its linguistic function: a special tone(Xu, 1980) versus weak stress(Chao, 1968). In this paper, the acoustic manifestation of the neutral tone will be explored to show that it is closely related to weak stress. 122 disyllabic words in which the second syllable carries the neutral tone, including 22 stress pairs, were uttered by a native male speaker of Beijing dialect and analysed by Kay Digital Sonagraph 5500-1. The results of the acoustic analysis are presented as follows: 1) The first two formants of the medial and the syllabic vowel moves towards that of central vowel with a greater magnitude in the syllable with the neutral tone than in the syllable with any of the four normal tones. Also the vowel ending, and nasal coda /n/ and / / in the syllable with the neutral tone tends to be deleted. 2) In the syllables with the neutral tone, there are strong carryover coarticulations between the medial and syllabic vowel and the preceding unvoiced consonant. In general, the vowel is affected to move towards the position of the central vowel with more greater magnitude by coronal consonant than by labial or velar consonant. 3) In the syllable with the neutral tone, when and only when it precedes a syllable with tone-4, the high vowel following [f], [ts'], [s], [ts'], [s], [tc'] or [c] tends to be voiceless. 4) It can be seen from the acoustical results of 22 stress pairs that the duration of the syllable with the neutral tone is on the average reduced to 55% of that of the syllable with the four normal tones, and the duration of the final in the syllable with neutral tone is on the average reduced to 45% of that of the final in the syllable with the four normal tones(Lin & Yan 1980). 5) The FO contour of the neutral tone is highly dependent on the preceding normal tone(Lin & Yan 1993). For a number of languages it has been found that the vowel space is reduced as the level of stress placed upon the vowel is reduced(Nord 1986). Therefore we reach the conclusion that the syllable with neutral tone is related to weak stress(Lin & Yan 1990). The neutral tone is not a special tone because the preceding normal tone.

• 패션비즈니스
• /
• 제2권1호
• /
• pp.12-24
• /
• 1998

The purpose of this study is to investigate the efficiency of systematic color combination for apparel and textile design. We planned the new color systems, HUE AND TONE COLOR SYSTEM 277 and HUE AND TONE COLOR SYSTEM 253 USED KOREAN TRADITIONAL COLORS. In order to emprove the efficiency, this study aims to explore the development of systematic color combination by computer graphics. With this purpose, this study progressed in the following order and we obtained these results. 1. First, we considered the possibility of the development of the systematic color combination used the new color system, HUE AND TONE COLOR SYSTEM 277. We considered the possibility of the development of the systematic color combination by graphic computer SDS-480. Through the experimental regulation of the RGB (Red, Green, Blue) and HLS (Hue, Lightness, Saturation) we obtained an approximation of the colors of the HUE AND TONE COLOR SYSTEM 277 on the CRT display of SDS-480. 2. We planned the new color system, HUE AND TONE COLOR SYSTEM 253 USED KOREAN TRADITIONAL COLORS for systematic color combination. 3. In a practical application, we tried five principal types of color combination in apparel and textile design, monochromatic combination, tone on tone combination, moderate combination, tonal combination, and contrast combination. 4. Furthermore, we applied the systematic color combination for the textile patterns by tone on tone combination. By using the systematic color combination for apparel and textile design, we realized the efficiency and utility of the systematic color combination.

• 한국전문물리치료학회지
• /
• 제9권2호
• /
• pp.157-168
• /
• 2002

The purpose of this study was to investigate the effect of proprioceptive neuromuscular facilitation (PNF) approach on the spasticity of affected side in patients with hemiplegia. Three subjects with hemiplegia participated in this study. In single-subject research design (a multiple baseline across individuals) was employed in this study. The intervention program including PNF to the unaffected side was introduced for 30 minutes each day during each intervention phase. Muscle tone of affected side was measured with Tone Assessment Scale, and active hip abduction distance of affected side was taken with the subject supine. And then the muscle tone and the hip abduction distance were measured again 30 minutes later following the intervention. The results showed that the PNF application had some beneficial effects on both muscle tone and active hip abduction. This result suggest that PNF application to non-paretic limb can be effective in reducing muscle tone and improving hip abduction range on paretic limb in persons with hemiplegia. However, further research is needed to prove the effect of PNF application on functional improvement.

• 대한음성학회:학술대회논문집
• /
• 대한음성학회 2003년도 5월 학술대회지
• /
• pp.43-47
• /
• 2003

This paper is phonetic study of $F_{0}$ range and boundary tone in Mandarin Chinese. The production data from 6 Chinese speakers show that there are declination, pitch resetting and tonal variation of boundary tone. In declarative sentence, $F_{0}$ declines gradually over the utterance but mid-sentence boundary prevents $F_{0}$ of following syllable from declining because of pitch resetting. $F_{0}$ range of syllable is expanded before the mid- and final sentence boundaries. In interrogative one, $F_{0}$ ascends gradually over the utterance and mid-sentence boundary makes $F_{0}$ of following syllable rise more. $F_{0}$ range of sentence final syllable is expanded and $F_{0}$ contour shows rising curve.

• 한국어학
• /
• 제81권
• /
• pp.267-297
• /
• 2018

Vowel raising in Korean has been primarily treated as a phonological, categorical change. This study aims to show how the Korean connective suffix {-go} is realized in various environments, and propose a principle of vowel raising based on both acoustic and perceptual data. To that end, we used a corpus of spoken Korean to analyze the types of syntactic constructions, the realization of prosodic boundaries (IP and PP), and the types of boundary tone associated with {-go}. It was found that the vowel tends to be raised most frequently in utterance-final position, while in utterance-medial position the vowel was raised more when the syntactic and prosodic distance between {-go} and the following constituent was smaller. The results for boundary tone also showed a correlation between vowel raising and the discourse function of the boundary tone. In conclusion, we propose that vowel raising is not simply an optional phenomenon, but rather a type of phonetic reduction related to the comprehension of the following constituent.

• 음성과학
• /
• 제12권4호
• /
• pp.141-152
• /
• 2005

This paper shows the tonal patterns of English conjunctive utterances produced by Korean speakers of English, presenting that Korean speakers realize either the H - phrase tone or the H% boundary tone at the phrase-final part of the conjunctive utterances. Based on Pierrehumbert & Hirschberg's (1990) claim that either H- or H% tone indicates that a phrase is related to the following one, Korean speakers seem to produce the satisfactory patterns of edge tones in conjunctive sentences. In the experiment, we made up conjunctive sentences including both coordinate conjunctions such as and, but, or, and so and subordinate conjunctions like if, when and though. We varied the stimuli according to the existence of a comma and the lengths of connecting words and phrases. We also divided the subjects into two levels of English proficiency based on their English written test scores to see if Korean speakers' performance ability of edge tones is related with their general competence of English. Results show that Korean speakers produced 84% of the H- phrase tone in intermediate phrases and H-L% and L-H% boundary tones in intonational phrases. Also, coordinate and subordinate conjunctions show little difference in their tonal contours, and the existence of a comma or the lengths of connecting words and phrases do not affect Korean speakers' production of the H- phrasal tone and the H% boundary tone. This may suggest that pitch accents, rather than edge tones, should be put more focus on in teaching English intonation in Korea as much work has already shown that Korean speakers have serious problem with producing pitch accents in speaking English.

• 국제물리치료학회지
• /
• 제10권1호
• /
• pp.1695-1699
• /
• 2019

Background : Although plank exercises is reported to the changes in muscle activity of the deep muscles and superficial muscles among the core muscles. However, no study has examined the effects of forearm plank exercise on tone and stiffness in the superficial back line muscle. Objective: To compare the effects of sling forearm plank exercises and mat forearm plank exercises on the superficial back line muscle tone and stiffness. Design: Randomized controlled clinical trial (single blind) Methods: The subjects were randomized to sling forearm plank exercise group (N = 8) or mat forearm plank exercise group (N = 8). The measurements were taken for each research group following exercises: the muscle tone and stiffness of upper lumbar muscles, lower lumbar muscles, long head of biceps femoris, and medial part of gastrocnemius among the superficial back line muscles. Results: Sling forearm plank exercise group Indicated statistically significant increases in stiffness of medial part of gastrocnemius (p<.05). However, mat forearm plank exercise group reported no statistically significant in muscle tone and stiffness of all measured muscles. No significant differences in measured variables were found between the groups. Conclusions: These results suggest that the forearm plank exercise performed with an unstable surface in the defined sling can increase the stiffness of calf muscle, but it is unlikely to achieve increases in muscle tone and stiffness of the overall superficial back line muscles.

• 디자인학연구
• /
• 제15권4호
• /
• pp.327-336
• /
• 2002

본 논문의 목적은 찬피부색을 지닌 사람들이 자신의 이미지를 긍정적인 이미지로 관리하고 자신감 있는 의복색을 선택하여 의상연출에 도움을 주고자 하였다. 찬피부색을 지닌 사람들이 의복색에 따라 어떠한 시각적 이미지 평가가 나타나는지를 준 실험 방법으로 분석한 결과는 다음과 같다. 1. Red계열의 의복색에서는 vivid 톤에서 긍정적인 이미지를, dull과 dark 톤에서 부정적인 이미지를 보여주었다. 2. Yellow계열의 의복색은 vivid, bright 톤에서 긍정적인 이미지를, dull, dark 톤에서 부정적인 이미지를, cool Yellow의 light 톤에서도 긍정적인 이미지 보여주는 것으로 나타났다. 3. warm Green의 의복색은 vivid, deep 톤에서, cool Green의 vivid 톤에서 긍정적인 이미지를 나타내었다. 4. warm Blue의 의복색은 vivid, deep 톤에서 긍정적인 이미지를, cool Blue의 vivid, bright 톤에서 긍정적인 이미지를 지니며, dull 톤에서 부정적인 이미지를 보여주는 것으로 나타났다. 5. Purple계열의 의복색은 vivid, deep, light 톤에서 긍정적인 이미지를, dull 톤에서 부정적인 이미지를 보여주는 것으로 나타났다.

• 대한음성학회지:말소리
• /
• 제33_34호
• /
• pp.99-110
• /
• 1997

This paper aims to investigate the internal structure of the pre-nuclear intonation pattern and to discuss the inventory and usage of the phrasal tone in Korean based on the acoustic analysis of 80 test sentences. CSL Model 4300 was used for recording and filing, and Multi-speech Model 3700 for analysis. It is shown that the pre-nuclear intonation pattern is composed of one or more phrasal tones, the intonation pattern of the rhythm nit. It is observed that the second phrasal tone begins with a higher pitch than the first one and that the phrasal tones following the second one begins with a lower pitch than the preceding phrasal tone unless a certain word is emphasized. In addition to Level, Rising, Falling, and Rise-Fall phrasal tones already established in Lee (1990, 1991, 1996), Pall-Rise and Rise-Fall-Rise phrasal tones are newly established in this paper. It is observed that Rising and Rise-Fall-Rise phrasal tones are most frequently used as the first phrasal tone of a pre-nuclear intonation pattern and the falling tone as the last phrasal tone, and that Fall-Rise and level tones appear most frequently in the middle of a pre-nuclear intonation pattern.