• Architectural research
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• 제20권1호
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• pp.1-8
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• 2018

Gojong(高宗) had experienced extravagant change during a period of reign and he was located in the center of the change. He was the king who also experienced various changes in construction and accomplished a large number of construction activities aggressively. Gojong could acquire the information and details about anarchitecture, through the experience of a lot of large-scale construction activities in a regency period of Heungseon-Daewongun(興宣大院君). After opening of a port, as the western culture and technology was flowed in Korea, the knowledge of western architecture also was introduced. Gwanmungak(觀文閣) was constructed in Kyeongbokgung Palace under that influence in 1888, but the construction was not successfully finished. Due to the failure of Gwanmungak, Gojong no more constructed a western architecture until 1897. He was aware of the merits of western architectures while living in the western architecture during Agwanpacheon(俄館播遷). And he led a lot of constructions of the western architectures in Kyeongungung(慶運宮). It is possible to arrange in two reasons about the interest in an architecture of Gojong. Firstly, Gojong was individually interested in the architectures, and he constantly accomplished constructions of new buildings from childhood. And secondly, Gojong thought that western architecture has an advantage in the international situations. He held out the tendencies to construct the western architectures with excessive investments.

• 한국문헌정보학회지
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• 제56권3호
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• pp.213-239
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• 2022

이 연구는 근대화에 앞서 국내외적으로 가장 혼란스러웠던 고종 시대사 속에서, 왕실도서관(규장각)의 변천 과정을 연대순으로 정리하고 그 흐름을 분석하여 통시적 의미를 찾고자 시도되었다. 이를 위해 첫째, 고종대 왕실도서관과 개인도서관 역할을 한 고종의 서재와 도서 수장처 전체 현황을 조사했다. 둘째, 조사 현황을 바탕으로, 고종대 초기 왕실도서관부터 대한제국 시기 황실도서관까지 이어지는 변천 과정과 그 의미를 조선왕조실록, 승정원일기, 각종 서목 등 당시의 다양한 사료와 함께 고찰했다. 셋째, 경복궁, 창덕궁, 경운궁으로 이어지는 왕실도서관의 시·공간적 변화와 양상을 왕궁별로 도식화하여 정치·사회적 의미를 분석했다. 그 결과, 첫째, 고종은 규장각을 왕권을 강화하고, 근대화과정에서 서양 문화를 수용하는 장치로 활용했다. 둘째, 고종의 정치적 지향을 담은 핵심 공간인 어진 봉안처, 도서 수장처, 집무처는 경복궁, 창덕궁, 경운궁에 걸쳐 별전으로서 일곽을 이루며 점차 서구식 건축양식으로 변화했다.

• 한국전통조경학회지
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• 제31권1호
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• pp.71-86
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• 2013

본 연구는 고종 연간 변형된 창덕궁 존덕정 일원의 지당을 대상으로 변모된 내용과 경위를 구명하고 조선시대 궁원 조영의 통시적 차원에서 이의 내적 맥락을 고찰한 것이다. 도출된 결론은 다음과 같다. 첫째, 존덕정 일원의 지당이 변형되기 시작한 시점은 19세기 후반에 촬영된 사진과 "고종실록"의 기록을 근거로 고종 21년(1884년)으로 판단하였다. 둘째, 개축 존덕정 일원의 지당은 향원지와 유사한 공간구성을 갖도록 정비되어 갔던 바, 고종이 창덕궁 환어 후 착수한 존덕정 일원 지당의 개조는 경복궁 건청궁과 향원지의 정감을 재현한 결과물로 판단된다. 셋째, 개축 존덕정 일원 지당의 교량은 연경당과 존덕정 영역을 통합하는 후원 기능 확장의 방편으로 활용되었다. 이것은 경복궁에서 건청궁이 향원정을 잇는 취향교를 통해 일대의 공간을 점유했던 방법과 같았다. 넷째, 고종때에 조성된 존덕정 일원 지당과 향원지는 연경당과 건청궁의 이용을 전제로 한 것이었으며, 나아가 두 일곽의 위상을 반영한 것이었다. 다섯째, 개축 존덕정 일원의 지당은 단순히 고종의 경관을 감상하는 취향에 따라 필요한 공간을 조성한 것이 아니라, 선대부터 전승되어온 후원정당의 맥락상에 있는 조영체로 판단된다.

• 한국의류학회지
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• 제44권3호
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• pp.441-451
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• 2020

This study examined the characteristics of the royal progress and regulations on costumes in the king's excursion by a royal carriage and then investigates King Gojong's costumes in "Dongga Painting of the Korean Empire". To examine the regulations on costumes in the king's excursion by a royal carriage, there are unique costumes, 'Ikseongwan and Gangsapo' for the great memorial service for ancestors during the Korean Empire period. 'Ikseongwan and Gangsapo' are not provided in the code during the Joseon Dynasty period. Thus, it was not provided in the regulations, in the actual execution of the ritual, the king put on 'Ikseongwan and Gangsapo,' so entering the Korean Empire period, it was legislated as 'Ikseon-gwanbok' in Daehan-yejeon. There is a scene in the "Dongga Painting of the Korean Empire" in which the king pays a visit on Yeon, holding 'Gyu' in 'Ikseongwan and Gonryongpo'. However, holding 'Gyu' on Yeon in 'Ikseongwan and Gonryongpo' can be seen in King Gojong's royal procession to hold Jongmyo Chunhyangdaeje in the year of Gabo (1894). This study showed that there was a compromise for the ritual despite not being regulated by law.

• 한국의사학회지
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• 제24권2호
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• pp.125-134
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• 2011

King Gojong was the twenty-sixth King in the Choseon Dynasty. He took the throne when he was only 12 years old and had to set up regency for 10 years. During his period, situations were worsened in both domestic and foreign affairs. In the end, after 3 years from abdication of the throne, the Choseon Dynasty was overthrown in compliance with a coercion by Japanese empire. He died in 68 years old. We can assume that his inveterate disease are weakness of the spleen and the stomach. In addition, he suffered from a boil, a cold, dermatosis, eye disease, an external wound, dentistry disease, arthritis, etc. The official cause of his death was cerebral hemorrhage. But we assume that the possibility of poison murdering is high.

• 건축역사연구
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• 제28권3호
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• pp.45-54
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• 2019

Mandongmyo(萬東廟) was a shrine built for two emperors of the Ming Dynasty in Huoyangri, Cheongju. Since the 17th century, the classical scholars of the Joseon Dynasty had valued Mandongmyo Shrine as a place for the so-called Jonjudaeui(尊周大義). In 1865, however, the shrine was demolished and ruined, afterward rebuilt by King Gojong(高宗) in 1874. King Gojong played an important role in the construction plan for the new shrine, which he adjusted the layout of the building and named it. Unlike in the past, the reconstructed shrine was thoroughly led by the government, and its architectural character was greatly transformed. The reconstructed Mandongmyo was respected as the national shrine, but subjected to oppression by the Japanese imperialism. The 68 years after it was rebuilt, the shrine was destroyed on the charge of inciting the sense of national consciousness.

• 대한건축학회논문집:계획계
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• 제34권8호
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• pp.95-104
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• 2018

This thesis aims to determine the size of the rear garden and its architectural dimension at Gyeongbok Palace constructed during King Gojong's reign by analyzing Bukgyeol dohyeong(Site plan of Gyeongbok Palace) and Bukgyeol huwon dohyeong(Site plan of Rear Garden of Gyeongbok Palace) applied of scale unit and made from 1905 untill 1909. The results of this study were as follows; With respect to its site, the maximum horizontal length is estimated to be around 448m, the maximum vertical length is around 544m, and the entire area is around $203,905m^2$. Concerning the architecture, the total number of the buildings made up of one or more gan(間) is 32 and the total number of its gan is 292.5, etc.

• 대기
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• 제25권3호
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• pp.407-433
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• 2015

First half of my article focused on analyzing the current state of historical materials regarding weather and climate, and established a list of weather-related historical literature collection of Korea with which to make a lexical approach to the situations of all kinds of weather literature. It also put emphasis on gathering information and data of weather logs from journal-type historical records which were contained in 48 weather-related journals of Choseon period. The results of this research are expected to be useful for the activation of study in historical meteorology. The latter half of my research focused on analyzing various meteorological states of sunny, cloudy, rainy, snowy and frosty weather which were recorded in the official Annals of King Kojong (1864~1907). And it re-verified historical rainfall data of preceding researches of Wada Yuji (1917), Jung-Lim (1994), Jhun-Moon (1997). In result, different records were found between data of theirs and mine. It means that we have to analyze and reconstruct newly the meteorological data of the Annals of King Gojong and the Daily Records of Royal Sungjungwon (1623~1910) during the late Choseon period.

• 건축역사연구
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• 제27권3호
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• pp.27-42
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• 2018

This study aims to reinterpret Jeonggwanheon(靜觀軒) in terms of its use and architectural style after restoration work through the recently discovered [Deoksugung Palace's original plan](1915). It is presupposed that the existing interpretation of Jeonggwanheon, such as its status as the banquet hall of the Imperial Empire and the place where Emperor Gojong enjoyed coffee here, was a fantasy made from the transformation after the 1930s. When it was built around 1900, Jeonggwanheon arranged small and large rooms around the corridor in the center, and the porch surrounded the three sides of the building. From 1900 to 1907, there is no remaining record telling us who did what or when something happened in Jeonggwanheon except for several portraits of Emperor Gojong and his son which were drawn in 1902. The mixed use of brickwork and wooden porch are found in many of American style houses built in Incheon and Seoul at that time. Especially, the style and decoration of wooden porch seem to be influenced by Queen Anne style in the 19th century in America.

• 건축역사연구
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• 제29권2호
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• pp.53-62
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• 2020

This study focuses on the architectural changes of stele pavilion at the royal tombs of Joseon Dynasty. Throughout the survey on overall forty two stele pavilions, they were classified into basic type, expanded type, and 4-side corridor type. Basic type was usually used for general small stela, while expanded type was for extraordinarily large ones. 4-side corridor type, however, turned out to be used for both small and large stela and has appeared only during King Gojong period(高宗年間, 1863-1907). When it was first applied at Geonwolleung(健元陵) in 1870s, the purpose of 4-side corridor type seemed to stabilize the enlarged structure due to the size of the larger stele. Later, 4-side corridor type was repeated for small stela at Hongneung(洪陵) and Yureung(裕陵) in 1898 and 1904 respectively, to express higher dignity of Daehan Empire(大韓帝國). This type of plan continued to other pavilions in the center of Seoul such as Kinyeombijeon(紀念碑殿) and Seokgojeon(石鼓殿) that were built in 1903 with sophisticated proportion and multiple brackets. This architectural change implies that stele pavilion itself has become more significant than stele inside.