• 제목/요약/키워드: Japanese Sex Culture

검색결과 11건 처리시간 0.025초

일본의 성문화를 통해 본 포르노그래피 애니메이션의 선정성 (Pornographic Animation's Sexuality through Japanese Sex Culture)

  • 최은혜;오진희
    • 만화애니메이션 연구
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    • 통권36호
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    • pp.281-302
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    • 2014
  • 인류는 본능적 욕구를 해소하기 위한 노력을 통해 발전을 지속해왔다. 인간의 욕구중 성욕은 식욕과 함께 가장 본능적인 것의 하나로 분류되며, 선사시대로부터 현재에 이르기까지 다양한 방식으로 표현되고 있다. 성적인 이미지 표현은 사회적, 윤리적 제약 하에서도 시대의 변화와 매체의 발전을 수용하며 더욱 앞서 진화하고 있다. 20세기 초반 사진기술의 발명으로 인해 포르노그래피 이미지는 매우 극적인 변화를 보였다. 영상은 사진보다 직접적인 이미지를 전달하는 매체로써 이러한 변화를 더욱 촉진하였고, 영상매체 중 하나로서 애니메이션은 장치에 의한 이미지인 실사영상이 가진 재현성의 한계를 넘어 실험을 거듭해왔다. 이 논문에서는 애니메이션에서 성적욕망을 어떻게 표현하고 있는가와 이를 있게 한 사회적 배경으로서의 성문화를 연결하여 논의하고자 하며, 그 분명한 사례로써 일본 포르노그래피 애니메이션을 선정하여 분석하였다. 일본 포르노그래피 애니메이션은 문화와 사회제도적 역사로부터 비롯된 결과물로써 해석되어야 한다. 헤이안시대와 에도시대를 거쳐 메이지시대 초기에 이르기까지 일본의 성문화는 매우 개방적이고 때로 파격적인 상태를 유지하였다. 일본 애니메이션에 자주 등장하는 변신, 변태, 미소년 소녀 성애, 촉수성교, 신체 특정부위의 빈번한 노출 등은 와카슈, 처방혼, 혼숙, 남색 등과 같은 고대 일본의 개방적인 성 풍습을 통해 해석할 수 있다. 이와 같은 일본 특유의 성문화는 세계 어느 곳에서도 찾아보기 쉽지 않은 일본 애니메이션 특유의 성적 표현으로 자리한다. 이러한 상황은 20세기에 이르러 2차 세계 대전의 종결과 함께 외부로부터 강제된 서구 근대화에 의해 제도적으로 단절되었다. 그렇지만 내용적으로는 현재까지도 일정한 방식으로 영향력을 지속하고 있는 것으로 보인다. 이 연구에서는 고대 일본의 자유로운 성문화가 제도에 의해 변화되는 일련의 과정을 살펴봄으로써 포르노그래피 애니메이션 또한 문화현상이라는 틀 안에서 해석되어야 함을 논의하였다. 일본 애니메이션 전반에서 발견되는 선정성은 그들의 역사로부터 비롯되며, 여성에 대한 이분법적 표현은 제도적으로 규정된 성 의식에 의해 굴절된 것으로 이해할 수 있다. 일본의 역사와 문화는 포르노그래피 애니메이션에 성적표현의 자유로움을 부여함과 동시에 타자화 된 여성 신체에 대한 두려움이자 뿌리칠 수 없는 매혹이라는 이분법으로 변형되어 드러나고 있음을 알 수 있다.

한국인의 외식소비성향과 외식선호유형의 결정요인 (Determinants of Food Away From Home and Consumption Patterns)

  • 박영선;정영숙
    • 한국식생활문화학회지
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    • 제19권1호
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    • pp.118-127
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    • 2004
  • The purpose of this study was to identify the preferred types and consumption patterns of food away from home by socio-demographic factors including cohort groups, sex. and consumption patterns consisting of 6 types. Data were collected from 412 respondents by questionnaire method in April through May 2002. Regression results indicate that sex, age, family income, family type and size as well as the consumption patterns were significant in explaining the determinants of food away from home expenditures. Four logit function (each for Korean, American, Japanese, and bunsik) results showed that each type of food away from home was likely to vary depending on socio-demographic factors (i.e., cohort groups and sex) and the consumption patterns (i.e., convenience and simple, distinction and variety, tradition oriented, foreign design, health and quality oriented, sensible taste and mood). Similarities and differences in food away from home types are discussed, and future implications for food and nutrition specialists as well as food industrial marketers are provided.

국내 거주 외국인의 한류(韓流)에 대한 견해와 국내 의류 제품 구매 행동 (The Opinion about 'Hanllyu' and the Domestic Apparel Product Buying Behavior of Foreigners Residing in Seoul)

  • 김성필;이홍섭;박은혜;황춘섭
    • 복식문화연구
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    • 제15권4호
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    • pp.580-592
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    • 2007
  • The purpose of this study is to analyse the foreigner's opinion about 'Hanllyu', and their buying behavior of clothes carried in Korean domestic market. The study was implemented through a normative-descriptive survey using self-administered questionnaires. The samples consisted of 75 foreigners residing in Korea. Data were analyzed by following statistical methods: frequency analysis, ${\chi}^2-test$, t-test, ANOVA, Scheffe's multiple range test. Results are as follows: There was no difference in the opinion about 'Hanllyu' between Chinese and Japanese. They regarded 'Hanllyu' as the phenomenon of the wave of Korean popular culture. Korean soap operas and movies were the main information sources on 'Hanllyu' stars for them. Significant differences were found in the behavior toward 'Hanllyu' stars according to sex and country, but there was no difference in the behavior according to their age. They mainly buy clothes in Dongdaemoon market and the main motivation of purchase were good design and price. The reason for dis-purchase was poor design. Respondents thought 'Hanllyu' fashion is gorgeous. There was significant difference in the behavior toward Korean culture according to sex.

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현대 여성의 T-팬티 조형성 연구 - 미국, 프랑스, 영국, 일본 시장을 중심으로 - (A Study on the T-Panty Formativeness of the Contemporary Women - Focused on the U.S.A., France, England and Japanese Market -)

  • 양아랑;이효진
    • 복식문화연구
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    • 제17권6호
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    • pp.947-959
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    • 2009
  • This study aims to analyze contemporary women's sense of fashion aesthetic by looking into the design and trend of T-panties, which have now carved out a new niche in the world's 21st century female underwear markets. By this, I'd like to reassure readers of the importance of T-panties, which has only been recently recognized, and more generally suggests the future direction of prominent T-panty design development. First, western urban chic, Japanese minimalism and domestic modern feminine images all have common modern urban sense and simple designs. However, each image is not a simple image in itself. For example, in the case of western style they often seek to convey a sophisticated and stylish street sense, while Koreans add a more cute, lovely, and feminine touch. Second, western restrained eroticism, Japanese fetishism and domestic mono-bosom images all have a common interest in sex. They is something, however, which they all express this differently. In Japan, they prefer a stimulating image. In the West, however, this is restrained by controlling and limiting overt sexual elements, while in Korea, we seek to capture a more simple sensual beauty. Third, western couture luxury, Japanese orientalism and Korean utopia narcissism have classy images in common including splendid materials and decorations with embroidery. They all differ depending on their nationality. This study is baseds on the documents study. This study is baseds on the documents study.

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동아시아 소화(笑話)·속담(俗談)속의 동물조합 상징성 비교 (A Comparative Study on the Symbolism of the Combination of Animals One Another in East Asian Comedic Stories and Proverbs)

  • 금영진
    • 비교문화연구
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    • 제42권
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    • pp.205-240
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    • 2016
  • 동물관련 관용어는 비유 상징코드로써 각 문화권에서 일찍부터 발달되어 왔다. "인재가 쓰이면 호랑이가 되고 재야에 버려지면 쥐가 될 뿐."이라고 역설한 동방삭(東方朔)의 동물조합 비유도 그러한 경우이다. 하지만 오늘날 중국에서 호랑이를 거물급 탐관오리로, 쥐를 작은 탐관오리로 비유하는 것에서도 알 수 있듯이, 그러한 상징성이 늘 고정불변인 것은 아니다. 이에 본고에서는 동물조합 상징성이 보이는 이러한 상대성 및 가변성에 주목하면서 한중일 3국에서의 동물조합 상징성의 특징을 고찰해 보았다. 그리고 그 결과 다음의 3가지 사실을 알 수 있었다. 첫 번째로, 유사한 동물조합에 있어서 동물조합이 달라지는 변용과정에는 해당조합을 바라보는 관점의 차이가 문화권마다 존재함을 알 수 있었다. 가령, 한국에서는 말과 소의 두 동물을 조합하였을 때, 그 두 동물사이의 '다름'에 주목하는 경향이 있다. 하지만 중국과 일본에서는 말과 소의 '가치'의 차이를 비교하는 관점이 상대적으로 더 발달하였다. 두 번째로, 한국에 비해 중국과 일본에서는 두 동물의 외형적 행동적 특성을 의인화한 상징방식이 비교적 발달하였다. 특히 중국에서는 "개는 남자, 닭은 여자."처럼 동물의 종류가 남녀성별을 나타내거나 "갓 난 송아지 범 무서운 줄 모른다."처럼 특정연령대를 의인화 상징하는 방식이 상대적으로 더 발달하였다. 반면 일본에서는 한 종류의 동물을 암수 한 쌍으로 조합시켜 남녀성별을 상징하는 방식이 비교적 발달하였음을 알 수 있었다. 세 번째로, 중국과 일본에서는 동물신체 특성에 착안한 동물조합 상징이 한국에 비해 발달하였다. '용두사미'라는 중국 고사 성어에서의 용의 머리와 뱀의 꼬리의 조합이 그러하며, "용의 수염(역린)을 만지고 호랑이 꼬리를 밟는다."라는 일본 속담에서 보이는 신체부위 조합이 또한 그러하다. 이러한 동물신체 조합을 통한 상징방식은 중국에서 일찍이 발달하였으며, 그 영향은 용, 기린, 봉황처럼 여러 동물의 신체부위 조합에 의한 상상속의 동물 탄생으로 나타난다. 동물조합은 동아시아 문화를 이해하는 하나의 중요 키워드라 할 수 있다.

Characterization of ovarian culture in vitro and sex steroids in vivo by recombinant eel gonadotropin treatments in the eel Anguilla japonica

  • Kim, Dae-Geun;Kim, Jung-Hyun;Baek, Hea-Ja;Kim, Shin-Kwon;Min, Kwan-Sik;Kim, Dae-Jung
    • Fisheries and Aquatic Sciences
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    • 제25권1호
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    • pp.12-19
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    • 2022
  • In the present study, we investigated the effects of recombinant eel gonadotropins (rec-GTHs) on maturation induction in immature ovarian culture in vitro and sex steroid hormones in vivo in the Japanese eel Anguilla japonica. To study the in vitro effects of rec-GTHs on estradiol-17β (E2) production in immature ovarian tissues, ovarian tissues were incubated with different doses of rec-follicle-stimulating hormone (rec-FSH) or rec-luteinizing hormone (rec-LH). The results revealed that the E2 levels in the rec-FSH (0.1, 0.5, or 1 ㎍/mL)- and rec-LH (0.1 or 0.5 ㎍/mL)-treated groups were significantly higher than those in the female eels from the control group. Furthermore, to investigate the in vivo effects of rec-GTHs on the gonadosomatic index (GSI) and plasma sex steroid hormone levels, the eels were injected intraperitoneally with eel's ringer (control), salmon pituitary extract (SPE; for female eels), human chorionic gonadotropin (hCG; for male eels), rec-FSH, rec-LH, and rec-FSH + rec-LH once a week. The results revealed that except for the SPE and the hCG groups, none of the groups exhibited a significant difference in GSI values. However, in vivo plasma E2 levels increased at the end of 4 weeks after rec-FSH treatment in female eels. Based on these results, it is suggested that rec-GTHs may have a positive effect on sexual maturation in female eels; however, further studies on complementary rec-protein production systems and additional glycosylation of rec-hormones are needed to elucidate hormone bioactivity in vivo and in vitro.

식당을 매개로 한 한일 영상텍스트 연구 - <윤식당>과 <카모메 식당>을 중심으로 (Study on Restaurant Images through Korea-Japan Video Text - and )

  • 진은경;안상원
    • 한국콘텐츠학회논문지
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    • 제17권11호
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    • pp.567-576
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    • 2017
  • 음식은 그것을 둘러싼 조리법과 문화적 감수성, 베풀고-나누는 관계를 통해 내러티브를 확장하는 문화텍스트로 기능한다. 이 연구는 식당을 매개로 한 한일 영상텍스트인 <윤식당>과 <카모메식당>의 특징을 사이공간과 젠더를 중심으로 살펴보고, 한일 영상문화 텍스트의 보편성과 특수성을 살펴보는 데 목표가 있다. 사이공간의 입장에서 영화 <카모메 식당>이 현실의 세계를 허구적으로 재현했다면 예능 <윤식당>은 허구적 세계를 현실적으로 재현함으로써 차별성을 보이지만, 보편적으로는 하이퍼리얼리티를 창조한 것을 알 수 있다. 둘째, 젠더의 차원에서 두 영상은 성역할의 해체가 역설적으로 상품이 되는 보편성을 제시한다. 다만 윤식당의 경우 젠더평등의 양상을 좀 더 구체적으로 제시했다는 데서 차별성을 갖는다.

한국.중국.일본 여성의 색조대장문화 (A Study on Make-up Culture of Korea, China and Japan)

  • 박보영;황춘섭
    • 복식
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    • 제39권
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    • pp.217-237
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    • 1998
  • The present research is to study the make-up culture of Korea and its neighboring countries such as China and Japan during the period from the prehistoric age to the 19th cen-tury. The research was made by documents analysis. The results are summerised as follows : (1) A man has a basic instinct to beautify himself. There was not a significant difference between the make-up behavior of men and women in its primal stage. It was by the start of farming and the division of labor that made the make-up behavior as a feminine culture. The difference of sexual role caused the con-ceptual difference between manly beauty and womanly beauty. It was very natural for women to regard the make-up as the best way for showing their feminine beauty. In Korea, China and Japan, there were vari-ous kinds of primal actions such as tattooing, body-painting, and tooth make-up which were used in the purpose of body protection, incantation, ornament, and so on. Ass their ornamental purpose was becoming more important, these primal actions became the basis of the feminine make-up culture. Nowadays make-up, having mental and emo-tional function, is helpful to increasing self-satisfaction, promoting good personal relation-ship, and attracting attention from the other sex. It also has other functions of showing social status, wealth, age, sex, courage, power, and so on. (2) The representative make-up product used widely in the three countries was Boon (powder) which decides the overall color of face. The key point in the production of Boon was to increase its power of adsorption. The invention of Yunboon (power mixed with lead) solved this major problem of Boon. Yeonji which decides the color of cheek was the mixture of Boon and the powder of Honghwa (a kind of red-colored flower or tree). Mimook (eyebrow pencil) was developed to match up with the various and changing currencies of penciling eyebrows in each nation and times, Yeonji and Joosa (red sand) were used as Jinji (lip stick). The predominant color of Jinji was red. As miscellaneous methods of partial make-up, there were Kon-ji used in a wedding cer-emony in korea, Aek-hwang, Hwa-jeon, Sa-hong, and Myun-yup in China, and Chi-heuk, a peculial method of partial make-up in japan. (3) There were various factors which decided the characteristics of make-up culture usually reflects international atmosphere, the form of government, economic situation, re-ligious and social ideology, aesthetic sense, symbolizing meanings of colors, and so on. The up and down of an influentian country was one of the major factors which decided the characteristics of the make-up culture of its neighboring countries. When a country took a liberal form of government, it had diverse and splendid tendencies in its make-up culture. The better a nation's economic situation is, the more abandant and various its make-up culture is, and sometimes, the more eccentric and decadents it was. In the field of make-up production, the three countries had their own characteristics. But, as a whole, China was the leading nation who spread the culture and products of make-up to Korea and Japan. Though the Chinese make-up culture and products were usually spread to Japan through Korean, there was some evidence of direct exchanges between China and Japan through its dispatches of Kyun-Tang-Sa(Japanese delegation to the Tang Dynasty). While religion had a positive influence on the development of make-up culture by introducing new methods of make-up, Confucianism exercised strict control over the make-up cul-ture. The currencies in arts and changes of esthetic sense introduced new methods and booms to the make-up culture. Literature made people pay increasing attentions to the countenances of women and changed the standards of esthetic sense. We can find out that the social status of woman was also reflected in the make-up culture. As the social status of women became higher, the feminine make-up culture also developed more then ever. As mentioned above, the make-up cultures of the three countries reflected their social values, esthetic senses, and emotional feelings. Through their cultural exchanges, the three countries could develop various make-up products and methods.

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한국인(韓國人)의 영양권장량 변천(變遷)에 관(關)한 분석적(分析的) 연구(硏究) (A Study on the Changes of the Recommended Dietary Allowances for the Koreans)

  • 김성미;이성우
    • 한국식생활문화학회지
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    • 제3권2호
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    • pp.197-206
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    • 1988
  • Age, sex and the amount of activity determine recommended dietary allowances. So the method of developing RDA and their levels have been revised according as the physical condition of a nation improves and the amount of activity changes along with the variety of social situations. It can be seen from records that in Korea the absolute nutrient requirements for the people in Chosun Dynasty were first published in 1922. After that, in 1941 Gui Dong Han expressed his view that the standard health diets for the Japanese would be suitable for the people in Chosun Dynasty. In 1960, the temporary nutrition standards for the Koreans were established by the Ministry of the Health and Social Affairs. For these standards, males and females were respectively divided into three groups by age and nine nutrients were recommended for each group. In 1962, The Korean Association to FAO published the RDA for the Koreans. Since then, regular researches have been done. For these allowances, there were 16 age groups of men and women and ten nutrients recommended for each group. On the first revision in 1967, the fat allowance was presented at the ratio (12%) of fat calorie to total calories with no change in the number of age catagories and in the kinds of nutrients. And the basis of the riboflavin allowance was changed from the level of protein intake to that of energy intake. On the socond revision in 1975, there was brought 19 are catagories and ten nutrients recommended. On the third revision in 1980, age catagories increased to 22, and ten nutrients were recommended. On the fourth revision in 1985, there remained 21 groups by uniting the early and later periods of pregency. On the first revision in 1967, the recommended energy allowance was 3000 kcal, the highest level. Since then it has gradually been reduced. And it can be noticed that the protein allowance was high when food was difficult to obtain.

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근세후기 에도어에 나타나는 단정표현(断定表現)의 양상(樣相) (Trend of conclusive expressions in Post-Modern Edo-language)

  • 엄필교
    • 비교문화연구
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    • 제25권
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    • pp.775-798
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    • 2011
  • From Post-Modern Edo-language of Japan, it is possible to find expression formats related to current Tokyo language. However, in some cases, Tokyo language and Edo-language has the same format but different usage. One example is the ending portion of a sentence. This research investigates conclusive expressions of Edo-language in literary works excluding the usage of "ダ". Various formats of conclusive expressions appear in a conversation, and the usage is closely related to the speaker's sex, age, and social status. Also from the study, it was possible to see that the social relationship between a speaker and a listener and a conversation circumstance has an effect on the usage of conclusive expressions. In addition, usage does not conform to the current standard Japanese. 1. Currently "である(dearu)" format is seldom used in speaking, it is used with "だ" only in writing. The study found no case of "である(dearu)" in conclusive expressions but some use of "であろうて(dearoute) であらうな(dearouna)" "であったのう(deattanou) であったよ(deattayo)" only in old aged male. 2. "であります(dearimasu)" format is a typical Edo-language used by society-women (Japanese hostess who has a good education and an elegant speaking skills). This format was used once in "浮世風呂"(ukiyoburo) and 14 times in "梅?"(umegoyomi), but speakers were always a female. The reason for 14 occurrences in "梅?" is closely related to the fact that the main characters are society-women and genre is "人情本(ninjoubourn)" which is popular type of cultural literature (based on humanity and romance) in late Edo period. 3. "でござる" format is originally used as a respect-language but later changed to a polite language. The format is always used by male. It is a male language used by old aged people with a genteel manner such as a medical doctor, a retired man, or a funny-song writer. 4. "ございます(gozaimasu) ごぜへます(gozeemasu)" The study found the speaker's social status has a connection with the use of "ごぜへます(gozeemasu)" format. Which is "ございます(gozaimasu)" format but instead of [ai], long vowel [eː] is used. "ごぜへます(gozeemasu)" is more used by a female than a male and only used by young and mid-to-low class people. The format has a tough nuance and less elegant feel, therefore high class and/or educated ladies have a clear tendency to avoiding it