• The Journal of the Korea Contents Association
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• v.19 no.5
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• pp.259-267
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• 2019

As the change in social awareness regarding cats is consistent with the lifestyle of modern people who seek an independent life, the number of cats owned as a pet and its market will continue to increase. The compainion animals are not just pets to pet owners, but people communicate with their pets and the pets have begun to be recognized as a member of their family. Although the pet industry has been steadily growing and the number of cats owned by households is rapidly increasing, there is a lack of study on products based on understanding the characteristics and behavior of cats. The purpose of this study is to propose a versatile furniture design considering the behavior characteristics of cats. The versatile furniture that is easy to move and rearrange according to necessity and the environment of residential space always pays to make better use of the space. We would like to propose versatile furniture that can satisfy the aesthetic pleasures of cats and can be used as furniture at the same time depending on purpose and situation. This study aims to develop the design of furniture that can make a better environment for pets and pet owners, an it is expected to be a basic study of furniture design for them.

• Journal of the Korea Furniture Society
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• v.22 no.3
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• pp.151-159
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• 2011

This study is to suggest versatile chair designs that are organically shaped to take individual orientation. This study intends to provide design method to ensure the face of the chair that contacts the body of its user is transformed flexibly to support the body. The movement of human body is not just a behavior but the ways and tools that reflexively express against external stimuli that are sensed and identified by the person. The versatile chair whose users' sitting position is fixed is made by covering the lump form with a piece of cloth ensuring that the content is firmly fixed and by placing the beads-woven wood fabric according to the shape. And then, it is covered with the external cover. The proposed versatile chair designs assume specific forms as follows: First, it is a versatile chair whose user's sitting position can fix. The organically-shaped form that can accept varying postures is made as a mass, which changes into different shapes when human body touches the form so that users can lie down or sit. Due to such transformation, body posture is determined and individual differences in shape changing are all acceptable. Second, it is a versatile chair that reflects the user's position in a fixed chair, where a cloth-wrapper feature is applied to the form a sifit wrapped postures so that a variety of body postures can be accepted. Finally, a versatile chair that reflects the user's position by changing the shape of is covered with forms so that it will be transformed and used in accordance with situations and chair shapes and reflect multiple shapes including round or square ones.

• Journal of the Korea Furniture Society
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• v.20 no.1
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• pp.1-14
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• 2009

Since luxurious apartments have appeared in Korean common housing, there have been a series of stages in reflecting the demands of residents. However, lifestyles have been restricted to a typified pattern because housing was provided extensively during a short period. The ensuring of residency in common housing lies in seeking how to utilize a given space to the maximum. In the presence of residents, the characteristic of today's housing is not merely satisfied with residents, but provokes the function of a new supplier. Residents are changing by situation (economic, social, cultural, and family types), yet housing is falling short of the change. In particular, it is necessary to closely observe the change in housing by time and space in accordance with both psychological and physical changes of family members. Therefore, this study aims to furnish an opportunity to prepare the foundation of alternatives, which may cope with the future in housing design and furniture design through the latest cases at home and abroad as well as a theoretical background of issues concerning a variable system, which will suit the demands of residents.

• Journal of the Korea Furniture Society
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• v.22 no.3
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• pp.190-198
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• 2011

This study intended to present a new direction of differentiated and innovative furniture design for small living space overcoming the uniformity of conventional small living. In order to achieve these goals, a new piece of furniture with multi functions useful for such small space has been designed and explained in this study. This new type multi-functional furniture can be utilized as kitchen, dining table, home bar or office stand depending on the user's necessity. In particular, it provides more adaptability to changing life and spatial availabilities for small living space in terms of space division, separation and fusion features. Based on the needs of small living space brought by social changes, the conventional concept of small living space, which divides space by partitions or walls, should be changed into flexible perception of space. Also, this research proposed the features of furniture design for functional shifts in terms of its functional, structural, and systematical aspects. In this respect, space can be regarded as a variable place and the image of space can be differently appreciated by means of shift, functional transition and mobility. That is, small living space can be perceived as kitchen, living space or working space at the same time. In conclusion, the versatile use of limited space can be a solution to the issues related to small living space; the convertible and movable furniture called F4 Island presented in this study can transform such spatially limited space into a space with multiple functions to meet the requirements of its residents.

• Fibers and Polymers
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• v.4 no.4
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• pp.169-175
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• 2003

A simulation system for versatile garment drape has been developed. Using this system, the shape of a garment can be simulated in consideration of fabric physical properties as well as the interaction between fabrics and other objects. Each fabric piece in a garment is modeled using a geometrically constrained particle system and its behavior is calculated from an implicit numerical integration algorithm in a relatively short time. The system consists of three modules including a preprocessor for the preparation of fabric patterns and external objects, a postprocessor for the results of three-dimensional visualization, and a drape simulation engine. It can be used for the design process of textile goods, garments, furniture, or upholsteries.

• Archives of design research
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• v.14 no.2
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• pp.163-174
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• 2001

William Morris(1834-1896) was the most versatile and talented of all British nineteenth century polymaths. Since his death over one hundred years ago his achievements as an artist, designer, manufacturer, shop-keeper, poet, author, publisher, printer, collector, teacher, conservationist, political activist and environmentalist have influenced the lives and work of people throughout the world. Moris is now best known for his attractive and colorful patterns. The decorating firm of Morris, Marshall, Fault & Company(Morris & Company after 1875) was established in 1861. Over the years it produced works, ranging from stained·glass windows and furniture to tapestries, carpets and printed and woven fabrics, that had great influence on the course of British design. His earliest experiments with the craft were amateurishly worked embroideries made for his own use. Before long, Morris began to produce textiles on a more commercial basis. In order to control production properly, Morris set about learning the various textiles techniques, first dyeing and blockprinting, hand-loom jacquard and eventually, carpet and tapestry weaving. This extraordinary involvement with the practical side of manufacture separated Morris from all other designers of his time and contributed in no small way to his success. Morris's designs for textiles, embroidery, dyeing, woven, carpet and tapestry were commercially produced, that are most universally admired and frequently copied today. These have a timeless quality arising from the designers respect for and knowledge of the technique. Of equal importance was his love of nature, evidence of which can be seen in even the smallest details of each of his patterns.