• Composites Research
• /
• 제24권3호
• /
• pp.31-38
• /
• 2011

본 연구에서는 우주 파편들과의 초고속 충돌로부터 우주 구조물을 보호하기 위한 새로운 하이브리드 복합재료 쉴드가 제안되었다. 제안된 쉴드의 유한요소 모델을 구성하고, 에너지 흡수율을 예측하기 위해서 유한 요소 해석을 수행하였다. 최종모델의 해석에 앞서 각 구성 요소인 알루미늄 판, PMMA 판 그리고 중간층인 직물 섬유의 해석이 먼저 수행되었으며, 각 요소의 유한요소 모델의 타당성이 검증되었다. 해석에 사용된 재료 물성은 고 변형률 속도에서의 재료 물성들을 예측하여 사용하였으며, 해석 결과 개별 요소의 에너지 흡수율이 직물섬유를 제외하고는 잘 맞음을 확인하였다. 이후 하이브리드 복합재료 쉴드의 유한 요소 모델을 구성하였고, 직물섬유의 구속 조건을 고정과 비 구속의 두 가지로 나누어 해석을 수행하여 비교하였다. 이를 통해서 비구속 삽입된 섬유를 이용한 하이브리드 쉴드가 섬유 풀아웃 현상이 잘 구현되었고, 이로 인해 에너지 흡수율이 향상 될 수 있음을 최종 확인하였다.

• 한국염색가공학회지
• /
• 제1권1호
• /
• pp.54-62
• /
• 1989

The woven fabric composed of nylon 6 filaments was treated with aqueous solutions (20, 30, 40, 50, 60%) of formic acid at 3$0^{\circ}C$ for 10 minutes under unrestrained condition, and the shrinkage behavior and some kinds of properties were examined. The shrinkages of the constituent yarns and fabric were increased with formic acid concentration, but they were lower than that of the original filaments because of fabric-structural factors. And the shrinkage of the warp was lower than that of the weft because of the residual stress from weaving process. By the restraint forces such as fabric-structural factors and residual stress, the constituent filaments were damaged partially at 60% of formic acid concentration and the degree of damage on the warp was greater than on the weft. And though the fabric count were increased overall, the spacing between the warps was decreased prior to the weft and eliminated nearly at 60% of formic acid concentration. The thickness, tensile strength, elongation, and handle value of fabric were increased overall with formic acid concentration excepting that the tensile strength for both the warp and weft directions and the elongation for the warp direction were decreased instead by the damage of yarns. But the crease recovery was decreased except the case of the weft direction at 60% of formic acid concentration.

• 대한건축학회논문집:계획계
• /
• 제35권5호
• /
• pp.107-116
• /
• 2019

Non-geometric shapes in contemporary architecture was explained from the transcendental schema of Deleuze with his abstraction theory. In this explanation, the intensity, the movement and change and the sublime were suggested as the expressional elements of the transcendental abstraction related with the artistic sensation of architecture. First, the intensity as a power of sensation which acts to the body before the recognition of brain is mainly expressed with the movement of curved lines of architectural space. Second, the movement of change is expressed as the de-centralized and de-formalized nomadic curve as the line in architectural 'smooth space' which has unrestrained orientations. Third, the sublime is expressed in the hugeness, enormousness or sometimes uncanny in void space, which could be contradictively mixed with senses of displeasure and pleasure. The sublime feelings in architecture can be emerging by rationally overcoming the unpleasant senses of contradictive spaces in architecture or urban fabric. This study has explained those expressional elements with the architectural works of Steven Holl, Frank Gehry and Zaha Hadid.